Is a Kickstarter Campaign a Consideration for You?

I’ve been meaning to write up a post on my experience with using Kickstarter to fund publishing projects (in my case, an audiobook project), but I’m still busy getting together all the reward goodies for those who pledged, so I better wait until I have everything wrapped up. Fellow writer, John Portley, is running a campaign now, however, and offered to write a guest post. If you’re wondering if this might be a way to fund the start-up costs of getting your first manuscript online, then read on…

Is a Kickstarter Campaign a Consideration for You?

by John Portley

Being an author can be a lonely job, and in the transition to being a reasonably paying job, it can be a costly one.  If one is going the indie route, then doing more than just creating an ebook can be a daunting concept.  An author may want to create a special printing of her/his work, or to add numerous quality illustrations to a book before publication, or create an audio presentation of a novel, or to create another derivative of your work, such as a graphic novel.  Hopefully the following regarding a particular way of asking for help in paying for such a project will help you in determining if this method is for you.

Hi, I’m John Portley, who will be publishing my first book later this year (Guardians of Pangea, Book1:  The Worm in the Wood).  I am here to share what I have learned in starting my Kickstarter campaign.  Laying out some of the steps that I took should assist you in your deliberations of starting your own Kickstarter campaign, either now, or later in your career, to take advantage of crowd-funding, the term used for going to the masses to find funding for a particular mission, with Kickstarter.com being the number one website in the United States for assisting in such a goal (excluding charity sites).

Firstly, there are other websites with similar purposes to Kickstarter, with IndieGoGo being one that takes a lower percentage as their fee and is known to release the collected funds faster (Kickstarter and its partner will take about a collective 10% off the top, and can take 3 weeks to deliver the funds to your bank account after your campaign successfully ends).  Though IndieGoGo is smaller in web traffic, you probably will be driving the majority of the traffic to your particular webpage, so taking a look at other crowd-funding sites should be a consideration.

For a discussion of crowd-funding websites, here is a good article.

Look to which sites apply to you, what each offers, and then charges, for hosting a crowd-funding webpage.

Incidentally, there will be an explosion of similar sites with the recent passing of a law that waters down the requirements for investors in a new company.  Nearly anyone, from anywhere in the States, will soon be able to invest in a new business concept.  Internet sites will spring up by the score, touting the Next Big Thing, telling you that you can be part of a cool company, and be a part owner in the next FaceBook, or Apple, or Twitter.  Some great companies may be started this way, but I fear that this new law will multiply to ridiculous levels the boiler room stock pumping-and-dumping activities of fly-by-night companies.  A strong warning for the future:  beware.

But back to bringing your story’s project to the public.  You will need to combine a bit of creative thought with a lot of rational thinking…

One of the first things to determine is exactly what you want to do.  After all, what you will be doing is creating a contract between yourself and your sponsors.  Set a specific monetary target for a clear goal—e. g., you will purchase X number of illustrations to go into your book, and will need Y number of dollars to do so, as well as pay for all the other aspects of the project.  Do not set the monetary goal too high, because at Kickstarter, if the campaign does not generate enough pledged money to meet your goal, then none of the money comes to you.  If your project has more money pledged than your goal, it all comes to you.  Do not set the goal too low, as part of the milieu of crowd-funding is that the person asking for money will set up levels of support, and reward sponsors according to the level of support pledged.  For example, if a sponsor pledges $25, then that person receives the book, postcards with illustrations from your book, and your thanks to this sponsor listed at your website.  More rewards at higher levels of sponsorship.  You have to factor in the costs of these rewards on the individual levels and within the overall project.  These rewards must come out of the project itself, such as copies of your published book, or downloads of your audio interpretation of the book, or posters based on the illustrations which were paid for by the campaign.

I set my costs of the rewards at 40%-60% of the pledge amount, and that does not consider the sweat equity of designing, producing, and then delivering the items.  Which brings up an important consideration:  factor in the cost of having these items shipped to you, and then to your individual sponsors.  The cost of shipping 100 posters to you in bulk may be $15, but cost $6—for a mailing tube and postage—for each of your pledge supporters.  If you accept international donations, then figure out how to address international shipping, and its considerably higher costs.

To assist in telling your story about the campaign, Kickstarter strongly recommends that one creates a video, with the limit being 250 MB in size.  Have your receipts ready for any licensed music used in your video if you also post this video to YouTube, as they have become sensitive about music rights (Kickstarter kindly lists a number of sources for licensing music at their website).  It probably would not hurt to keep receipts for any copyrighted pictures used as well.  Crowd-funding sites in general will probably be asking for all of these soon enough, in order to cover themselves legally.

My costs for the video were less than $500, though yours will probably be considerably lower, unless you hire a professional.  The largest expense came from the three commissioned illustrations of characters from my book, something which you may not encounter for your project.  I wanted to show the quality of the to-be-commissioned art for the book, so I paid for some before the campaign.  I also paid for a few licensed illustrations from dreamstime.com and licensed music from JewelBeat.com (and some similar music also for my website).  I purchased a video editing program.  And though I just purchased an USB microphone (~$90) which is too late to use for this video, I am sure it will greatly improve my future ones, and strongly recommend using a separate microphone, and not your computer’s built-in ‘mike’.

Among the items to upload to your Kickstarter site is an image as the ‘face’ of your campaign, preferably in a 4 by 3 ratio (width by height, respectively).  I took elements of my book cover, and rearranged them into a new picture.  This gave continuity throughout the project—this new picture at Kickstarter, the book cover at my website, and some of the opening images in the video, all variations from the same illustration.

You will need a very short description of your project, and then a detailed description.  The short is 135 characters of description.  Mine was:  “Guardians of Pangea is a family friendly series that explores a rich world of fantastical creatures and inventive individuals.”  I still wonder how to spice up 135 characters, and this did nothing to talk about the goal of illustrations for the book, but it did describe the book itself…somewhat.  For the long version, name drop if you can:  the person(s) who will do the illustrations, the company that will produce the audio CD/download, or the printing house that you have arranged to do the special hardback collectible (and perhaps list similar works that this company has done).  Show that you have planned ahead.

You will be asked to do a biography, which is something that I have always hated, but hopefully you are better at it than I.  They also want a picture of you, which is something that even my own mother would be hard pressed to find, yet I hope that you are less shy than I.  Then the address of your website, which is now nearly a requirement in this digital age, and for this I have no problem at all, for this is where I love to share details of my invented world.

You will need a banking account that will accept your funds, if and when they happen.  I made mine a business account, as I am running my writing as an occupation, and involving the federal and state governments in its profits and expenses (the usual required partnership with the IRS and State Department of Revenue).  The legalities in my state to set up such a business and then a business banking account actually took a little more than two months.  I believe that a personal account will be acceptable to the Kickstarter campaign entities (named in the following paragraph).

Kickstarter uses Amazon to collect and distribute the funds of a successful campaign.  So you will need to set up an Amazon Payments Account.  Part of that process is that Amazon verifies your bank account, electronically if possible.  My financial institution does not verify its bank accounts electronically (and I feel better that they do not), so Amazon plays a little game (PayPal does the same in their verification of a bank account, by the way).  Amazon makes two sub-one dollar deposits into one’s bank account, then you access your account, electronically or in person, and report to Amazon what the exact deposits were.  To save time, set up your account so that you can access it electronically, especially as Amazon can spread these two deposits across a number of days, and will not tell what those days will be.  Also, part of the process at Amazon requires the filling out and signing a 1099 tax form, so that the government can track the money that your project may generate.  Yes, there are frustrating delays everywhere, if you are not prepared.

And hopefully you are now more prepared, if you do want to run a crowd-funding campaign.  There are at least two reasons to so:  1) the project itself; 2) the publicity for your work, whether or not the campaign financially succeeds.  If you do run one, I wish you the best in both regards, and drop me a note at my website, I might be interested in what you are offering, or to answer questions about the process.

http://www.john-m-portley.com/

Please take a look around.  My series has a broad age and genre appeal with its world of inventive people and devices, and dynamic characters who deal with friendship in the face of stress and conflict.  A taste of the world and the series is at my website, including the first six chapters of Book 1 for your own enjoyment and judgment.

The video and webpage of my Kickstarter campaign is at:

http://www.kickstarter.com/projects/1922781115/guardians-of-pangea-book-1-kickstarter-campaign

…and there is even a button there to send the host (myself) a message, if you would care to remark on my project.

If you enjoy either, then please share, allowing your friends a chance to experience Guardians of Pangea.  Perhaps you, they, or their friends, will be interested in the soon-to-released book and the colorful items that I am offering through the Kickstarter campaign, for themselves or as gifts to others.

Posted in Guest Posts | Tagged , | 6 Comments

Early Results from Creating an Ebook Omnibus–Good Choice or Not?

A lot of authors who read this blog (at least two out of three of them!) are publishing, often self-publishing, their first books. That’s a noble endeavor, but what if you’ve been writing for a while, and you have several books already published? What if they’re all related (i.e. stories in a series)? Maybe it’s time to look into putting together an omnibus.

That’s what I did a couple of weeks ago, publishing The Emperor’s Edge Collection on Amazon. It includes the first three novels in my fantasy series, and I decided on $7.99 for a price tag, so it’s a good deal for readers. So far, I’ve sold 50 copies, so it’s sales are low compared to my other novels, novellas, and short stories (though it is outselling my poor children’s story collection — it’s so hard to find 10-year-old readers with Kindles and the ability to buy from Amazon!). That said, 50 sales at $7.99 (putting a little over $5 in my pocket for each book) isn’t too shabby, especially considering I didn’t write anything new for the collection, meaning I didn’t need to pay for editing. Also the cover art and formatting costs were minimal (I got deals on both since we were just re-purposing existing covers/files), and I’ve already recouped those costs.

“Ah, but wait,” you say, “aren’t you cannibalizing your own sales with an omnibus? Aren’t the people who bought those books folks who would have purchased them individually?”

This is a valid point. My first ebook is free right now, so no loss there, but I sell EE2 and EE3 for $4.95 each (although, last I checked, Amazon had price-matched one of those down to $3.99 based on some slow-to-update store out there). Essentially, instead of making $5-something on the omnibus, I could make $6+ if people bought EE2 and EE3 separately.

I have no way to know for certain, but I suspect I am losing money on this deal, at least with the omnibus priced at $7.99 (I may raise the price down the line, especially if I ever “un-free” the first book). Based on earlier sales months, I know that a high percentage of the people who buy Book 2 go on to purchase the following books.

So, why do it?

Well, it’s a way to give the readers a deal, perhaps encouraging those who are on the fence about getting into the series, and it’s still a pretty good deal for me. Also, it gets people to buy the set today rather than the books one at a time tomorrow (if your situation is different than mine, and you don’t have a high percentage of people returning for the remaining books in the series, this may be a particularly good idea for you).

When does the omnibus really shine?

As you can see, with my EE books, creating an omnibus was more of a convenience for the readers than a big earner for me. But, there are instances, especially with e-publishing, where it can be super smart to create an omnibus.

The next one I’m going to put together is a three-story collection of my Flash Gold novellas. Because those are shorter than my novels, I sell them at 99 cents (although the first is free right now), $1.79, and $2.99. The last one, which is the longest at 43,000 words, is the only one that earns the 70% royalty rate at Amazon. I earn $2 on a sale of that one, but I only earn 35 and 60 cents respectively on the first two adventures, because ebooks priced under $2.99 receive a 35% royalty rate.

When I release the novella omnibus, I’ll likely sell it at $3.99 or $4.95 (we’ll see if the first one is still free then). Again, this will be a deal for the reader, who will be getting the word-count equivalent of a full-length novel, but then I’ll be earning the 70% royalty on the whole collection of stories.

The best possible scenario is when all three of your stories (or however many you want to combine) are selling individually for less than $2.99, thus forcing you into the 35% royalty rate. Combine them to get into the 70% rate, and you’ll be making significantly more on your omnibus.

A sneakier tactic to sell more omnibus editions?

As I mentioned, I didn’t write anything new for my omnibus. I didn’t want readers who had already purchased the books individually to feel compelled to buy the collection as well to get new material.

However, that is precisely the strategy many publishers pursue, no doubt to great effect. I know I’ve purchased omnibus editions of books by favorite authors because of new essays or stories tucked into the collection. If you don’t want to worry about an omnibus cannibalizing your other book sales, this may be a tactic to try, as you might get people who already purchased the books individually coming to grab the collection. Granted, you’d need a fan base built up, one that’s into your world/characters to the extent that they’d pay to get their hands on extras, even if it meant double-purchasing some stories.

It’s up to you to decide if that’s something you want to try.

Is a multistory edition good for anthologies and non-series collections too?

What if you don’t have the first three books in a series, but you have a collection of short stories that you’re selling at 99 cents a piece? Can you still take advantage of the higher royalty rate by combining them into one ebook anthology or collection?

The answer, of course, is yes, though you may have mixed results when it comes to sales. With a series, it’s more of an obvious buy for folks who like the sample and see that reviews are good for the rest of the books. With short story collections, the more unrelated they are, the less they’re likely to appeal as a collection.

You can always give it a try, though, and see how it goes. If you format your own ebooks and can splice together existing covers to make a new one, you needn’t pay anybody anything to put together works that have already been edited. Even if you only end up selling 10 or 20 copies a month at $2.99+, that might end up earning you more than selling individual tales for 99 cents.

~

 

So, readers and authors, what are your thoughts on the ebook anthology/omnibus? A good deal for all or do you prefer working with individual titles?

 

Posted in E-publishing | Tagged , , | 30 Comments

Can a Goodreads Giveaway Help with Book Promotion?

A while back, we debated whether it is, in this new world of e-publishing, still worthwhile to create print versions of our self-published books. That’s up to each author to decide, but, if you do have paperbacks made, it can be helpful with book promotion. You can send review copies to book bloggers who don’t accept ebooks, make gifts of signed paperbacks to contest winners, and list giveaways over at Goodreads.

Just in case you didn’t know, Goodreads is a big social media site just for readers. Tons of people hang out there, interacting with other readers (and sometimes authors) and reviewing books they’ve finished.

If you’re an author, hoping to make more people aware of your work, it can be helpful to have folks over there reviewing your books. As I said, this is a social site, and those reviews show up in people’s activity logs, something all of their Goodreads friends can see. Even having your book in someone’s to-read list can be a little free advertising

Listing a Goodreads book giveaway

Any author can give away a book at Goodreads, and it doesn’t cost you anything (other than a paperback + shipping). You simply create an author account and start a giveaway.

Goodreads suggests these be new releases or advanced reader copies, but there’s nothing in the rules to say you can’t give away copies of a book that’s been out a while. To celebrate the release of my fourth Emperor’s Edge book (and maybe get some new people into the series, eh?), I’m running a giveaway of the first over there right now. I’m also planning to do a giveaway for Encrypted later this month (with that one, the ebook has been out over a year, but I’m just getting around to creating a paperback version).

Why bother with Goodreads?

You may think you can simply run a giveaway on your blog or perhaps on your Facebook page and “build buzz,” but the reality is that Goodreads has a lot more visitors than your author sites. It’s the difference between selling something at a garage sale and listing it on eBay (where millions of people have a chance to find it).

Here are a few of the possible perks of running your giveaway on Goodreads:

  • More visibility — People who’ve never heard of you may browse the giveaways page, decide your book sounds interesting, and sign up. They may also list the book in their to-read list where their friends can see it, friends who might think, “Hey, that sounds like something I might like too.” Those friends might add it to their to-read lists where their friends might see it, and so on. If you’ve heard the term viral marketing, this is it.
  • Reviews — We all know that reviews are important, as they help new readers decide if a book might be worth a try. If you don’t have many reviews yet, this can be a way to get some. Jane Friedman, quoting a Goodreads newsletter, wrote: “If your goal is to get reviews, it makes sense to give away a lot of books. Nearly 60 percent of giveaway winners review the books they win, so the more books you offer, the more reviews you are likely to get.”
  • A way to connect with potential buyers — When I ran my first Goodreads giveaway last year, I didn’t think to try this, but Robin Sullivan of Ridan Publishing mentioned that you can contact all of the entrants after the giveaway is over. Apparently you can say something like, “Thanks for entering and sorry you weren’t selected, but, if you’re interested, here’s a coupon to grab the ebook at Smashwords for half price.” Because I give away the ebook version of the first book in my series anyway, I could forgo the coupon and just give them a link to grab the digital version for free.

So, does all this work? When I did my first Goodreads giveaway, I didn’t measure sales, but I’d definitely say it helped make more people aware of my work (at the least). I had close to 1,000 people enter to win a copy. That was before I had much of a fan base, so those were mostly people who found the book via Goodreads. I’ve seen people writing in more popular genres receive even more entrants. Considering it only costs about $10 (an author copy of your paperback + media mail shipping), it seems like a no-brainer.

Here’s a link to that Jane Friedman article again (she has some giveaway pointers on there that are worth reading). As to where I heard Robin Sullivan talk about the giveaways, she’s been interviewed a number of times for podcasts (I’m afraid I’ve forgotten which one specifically this was mentioned on), and you can find those by doing a search for her name under podcasts in iTunes.

Any thoughts? Have you tried a Goodreads giveaway, and did it help you with book promotion? Or are you thinking of trying one?

Posted in Book Marketing | Tagged , , , | 41 Comments

Reader Questions Answered: Emperor’s Edge 5, Paperbacks, Encrypted Sequel?

It’s been a little over a week since I released Conspiracy, the fourth Emperor’s Edge book, and we sold a thousand copies in the first week. That’s a record for me (I believe EE3 sold about 500 copies in the first week), and it was great to sell enough right off the bat to cover the cover art and editing costs. Thank you for your support, everyone!

As promised, I’m working hard on Book 5. Thanks to the, ah, slight cliffhanger at the end of 4, folks are asking when the next one comes out.

It’s a little early for me to post a date, but I’m going to shoot for the end of summer (maybe the first of September). I’m about 30,000 words into the rough of EE5, and it’s coming along well. I’ll post more details as I get closer to finishing the first draft.

There have been a few other questions of late, so let me go ahead and answer those here:

Will there be paperbacks for all of the Emperor’s Edge books? Do you make much on the paperbacks (i.e. is it worth buying them to support the author?)?

Yes, to more paperbacks. The formatting is almost done for Encrypted, and Glendon over at Streetlight Graphics (he does all of my covers) will be starting on EE4 soon. That shouldn’t take long since we’ll be using the same style as was used in the previous books. I do have plans to have all six EE novels turned into paperbacks.

At $11.99, they are fairly expensive to buy, but at 6″ x 9″ they’re larger than mass-market paperbacks, and I think they ended up looking pretty good. But, as far as what the author gets, I make about a dollar per sale on those (compared to $3 on the $4.95 ebooks), so unless you really want a hard copy, please don’t feel like you should spend more for my sake.

If you do want paperbacks, and would like them signed, please send me a note. I usually have some books on hand, and, because the author copies cost less than store-bought copies, I can sell them to you for less than that $12 per book, even including shipping (for those in the U.S. anyway). I’m also planning to have some custom book plates made eventually, so I can sign those and send them to you to stick inside the books (if you already bought the paperbacks elsewhere).

Maybe someday I’ll get on the ball and make a separate page on the site with details about this.

Will there be a sequel to Encrypted?

I want to finish up the six Emperor’s Edge books first, but, yes, I’m planning on a sequel. I may try another Kickstarter campaign to help support the cause, because sales of Encrypted are quite a bit lower than of those of the EE books, so writing more books with those characters isn’t as obvious of a choice. That said, I do want to pen at least one more adventure (we have to see what happens when Tikaya brings Rias home, after all).

I’m still working on getting goodies together for the last Kickstarter campaign, so this will likely be a 2013 project.

When will the next Flash Gold story come out?

Because I left Kali and Cedar in a better spot than the EE gang, I want to focus exclusively on EE5 this summer, but I do plan to get back to the Flash Gold stories before too long.

In the meantime, I’ll be publishing an ebook omnibus of the first three adventures this summer, and I’m planning to do a paperback version of that as well.

Will you do any more character interviews?

The Sicarius interview was quite popular, and I’ll absolutely do some more. Maldynado may be the next up to bat since he’s the secondary POV character in Book 5. I imagine he’ll be a tad more verbose than Sicarius was…

Want to keep up on the latest news and tidbits?

You can sign up for the newsletter (link in the menu on the right) or follow me on Facebook, as I often post little dialogue teasers there.

Also, if you’d like to chat with other fantasy fans, check out the Emperor’s Edge Forum that a nice reader set up.

Any more questions? Let me know in the comments. Thanks!

 

Posted in Ebook News | Tagged , , | 22 Comments

3 Tips for Self-Publishing Success

Success is one of those words that means different things to different people. For the sake of this blog post, I’m going to define success as “meeting or exceeding your goals,” whether that means making such-and-such amount of money a year, being read by X number of people, or simply putting out a finished book that makes you proud. That said, I know a lot of people dream of writing for a living, so these tips may slant things in that direction.

Note: this short list doesn’t mention cover art, editing, formatting, blurb-writing or any of the basics that have been discussed here and elsewhere before. I’m going assume you’ve already read that advice.

3 Tips for Self-Publishing Success

1. Hone your writing skills before you publish

In the early days of e-publishing, there wasn’t a lot of competition in the Kindle, Nook, iPad, etc. stores, and some people made it big largely because they got in early with decent stories or were the first to price their ebooks at 99 cents. By the time I came on the scene at the end of 2010, it was starting to get more competitive, with many more offerings in the e-stores. So many people were pricing their books at 99 cents that this was no longer a way to stand out. Today there are even more self-published and traditionally published authors with ebooks at Amazon, Barnes & Noble, etc.

What does this mean?

You can’t just be there with a pretty cover and an attractively priced ebook — everybody has that. Perhaps as always should have been the case, the writing has to stand out.

Give yourself every advantage by honing your writing and storytelling skills before you publish your first book. I found online writers’ workshops to be a wonderful way to learn. Others prefer to take classes and/or to read books on the craft.

Whatever you can do, it behooves you treat writing as you would any other career. You have to study, to practice, and to get feedback from others before you’re ready to hang out your shingle.

You don’t have to be the best writer in the class (or workshop) to go on to make a living. I was sure never the type to win awards or contests. But, hey, sometimes the ones with the most talent are the ones who never make it. Be willing to keep learning and adapting, and don’t underestimate the power of the will to succeed.

2. Figure out what your unfair advantage is and exploit it

In the process of enduring this apprenticeship period, you’ll probably learn what you’re good at when it comes to writing. It’ll be partly based on your enjoyment of said thing and partly based on the positive feedback you get from peers and mentors (OMG, William, you write the best fight scenes!).

Maybe you have a knack for creating creepy horror scenes that keep people turning the page. Maybe you can craft characters that feel real and are so fun that readers enjoy hanging out with them. Maybe you write dialogue that would make Joss Whedon smile in appreciation.

Whatever it is, it’s up to you to identify this natural aptitude and use it to make your stories stand out from the competition. Example? Well, in my case, I love to write dialogue. I once had an English teacher suggest I look into screenwriting. I’m not the best at world-building, action scenes, or arranging the prose in a pretty way on the page, but I believe my characters and dialogue are strong points. So, I take advantage of that strength. I build scenes in such a way that my characters can interact with each other a lot. It’s rare for me to send a character off alone for more than a few pages, because I know the story is more entertaining when my heroes are doing things together. In other words, I believe a knack for writing characters and dialogue is my “unfair advantage,” meaning it’s something I can do in a unique way that other writers might struggle with (just as I struggle when called upon to create awesome, original worlds or to pen epic battles).

As we talked about, it’s a competitive market out there right now, so it makes sense to figure out what you’re good at and use that to your advantage.

3. Have an attitude of gratefulness instead of one of entitlement

I’m not one to talk about mindset a lot, and you’ll never catch me writing self-help books, but, based on comments I see on people’s blogs and social media channels, I think a lot of authors set themselves up for failure by feeling that they deserve a readership just because they wrote a book. Writing a book is the beginning of the journey, not the end, so here’s a rare mindset piece from me:

The wrong attitude

What, I only sold seven books this month? I went on blog tours, I handed out flyers, I tweeted a zillion times, and I bought sponsorships. I sent twenty review copies out, and I gave away free samples. This game is so rigged. All the successful people are only selling well because they got in early. So-and-so doesn’t deserve to be a best-seller. I’ve read his/her book, and it sucks. If the people that read those sucky books just read my book, they’d realize how great it is, and I’d be a best-seller.

The right attitude

Seven complete strangers bought my book this month? Holy smokes, that rocks! What can I do to make sure their experience is great? Maybe I can post some extras on my blog or give away some signed paperbacks. Maybe if I keep writing good books and continue to develop my skills as an author, even more people will give my work a chance. If I work my a$$ off, maybe in a few years I’ll have earned a readership large enough to support me as a full-time writer.

~~~

Do you agree or disagree with any of my tips? Or would you like to add some of your own? Feel free to do so in the comments!

 

Posted in E-publishing | Tagged , | 32 Comments

Emperor’s Edge Forum and Looking for Contest Ideas

Hey, guys! After the lively discussion in the comments section of the Sicarius interview, one of the readers made a forum for chatting about the books. (I imagine you can chat about anything fantasy-related.) If you want to talk to other readers with similar tastes, check it out:

The Emperor’s Edge Forum

Also, we’re about to hit 1,000 Facebook “likes” and 1,000 email newsletter subscribers, so it seems like an appropriate time to do a contest or giveaway or something of that ilk. I’m hoping to have the paperbacks of Encrypted and Conspiracy done by the end of May, so maybe I can give away some signed copies.

But what shall the contest be based on? Design ideas for Maldynado’s next hat? Theme song nominations for our heroes? Casting calls for the characters (who should be so-and-so if there were a movie…)? Something else?

If you have any suggestions, shoot ’em out. Thanks!

from Dr Brassys Steampunk

Posted in My Ebooks | Tagged , , , , | 20 Comments

Emperor’s Edge Extras: Interview with Sicarius

Last week on my Facebook page, I asked for “interview questions” for Sicarius. We had a lot of submissions, but he’s a busy man right now (those of you who have already finished Book 4 can guess why), and I could only get him to agree to answer ten questions. I had to risk my life to elicit that promise, and there was… glaring and knife fondling during the interview process. I hope you appreciate the risk I took to get these answers to you. 😀

Interview with Sicarius

Recording starts.

LINDSAY: Good evening, Sicarius. I know I’ve made your life eventful of late, so I hope you won’t mind me pulling you away from your current mission for a few minutes. Your fans—did you know you have fans?—have a few questions for you. Are you willing to answer them?

SICARIUS:

He folds his arms across his chest and gives me an icy stare.

No.

LINDSAY: No? I can see why you might not be too happy with me, due to, ah, recent events, but the readers are innocent bystanders. Surely, you don’t have anything against them? Don’t you think Amaranthe would encourage you to be polite and amenable?

SICARIUS: I have not seen Amaranthe lately. His icy stare hardens. You know why.

LINDSAY: Er, yes. Sorry about that. Conflict is something of a prerequisite for a novel, and I have to…er, is it necessary to glare at me so much? I am your creator, after all.

SICARIUS: He glares.

LINDSAY: How about this: I’ll make it easier to find her if you cooperate here. I’ll even give you an opportunity to have that private conversation with Sespian. Just answer twenty questions for me.

SICARIUS: It is unwise to attempt to blackmail an assassin.

LINDSAY: Fifteen questions?

SICARIUS: Five.

LINDSAY: Twelve questions. And no one-word answers.

SICARIUS: Ten. I’ll answer how I please.

LINDSAY: All right. I’ll take that. For the first question, we’ll start with something light. Michele asks, “Why do you always wear black? Isn’t navy blue acceptable for skulking in the shadows? Also, have you ever thought about letting someone else give you a proper haircut?” (Numerous people asked after your hair status – i.e. when will you let Amaranthe cut it or let Maldynado recommend a barber?)

SICARIUS: My hair. Your questions are about my hair.

LINDSAY: Hey, I didn’t come up with them. Maybe your fans just want you to look good!

SICARIUS: Hair is irrelevant. I require only that it remain short enough to stay out of my eyes during battle.

LINDSAY: So… no word on when we can expect you to let Amaranthe cut it?

SICARIUS: Is that your second question?

LINDSAY: No, a follow-up on the first. Also, you forgot to comment on the navy blue.

SICARIUS: The haircut status is unknown. It is not a priority. I was assigned black clothing when I worked for the emperor. I see no point in changing what I wear now.

LINDSAY: In other words, you haven’t been clothes shopping in years? No, never mind. That’s not a question. Okay, number two… Jenna asks, “If Sespian were to clear your name, what is one thing you would do with that new freedom?”

SICARIUS: Little would change. The bounty does not bother me. Having people trying to kill you keeps you alert and encourages you to maintain your fitness and fighting skills. However, it would be… acceptable to be a free and… trusted man, so I could walk up to Sespian and speak with him. Without guards around.

LINDSAY: Sandy asks, “Do you want more kids?”

SICARIUS: It is the nature of man to want to pass down his seed.

LINDSAY: I could ask the fans, but I don’t think they’ll find that an acceptable answer. It’s a tad evasive, don’t you think?

SICARIUS: The glare has returned. There are… mistakes youths make that might be… avoided if one had the chance to do a thing again.

LINDSAY: I’m not sure that’s not evasive as well, but I see you fondling your dagger, so let’s move on. Alita asks, “Do you secretly laugh at what Amaranthe does or do you really find nothing humorous?”

SICARIUS: His eyes glint. Yes.

LINDSAY: Drat, and we were doing so good with the multi-word answers. Well, you’ve done that to Amaranthe often enough that I guess I can’t expect more. Jennifer asks, “It seems clear that Amaranthe is good for you. Do you feel that you are good for her?”

SICARIUS: Her schemes are dangerous. Someone has to keep her alive.

LINDSAY: I see… You have nothing more to say on the subject? I think Jennifer may have been thinking about the romance department.

SICARIUS: He looks away for a moment. I should not encourage her infatuation. Another would be better for her.

LINDSAY: Kendra asks, “What were you thinking when you nearly lost Amaranthe to the Makarovi?”

SICARIUS: It would have been… inconvenient for my plans. I believe she can help change Sespian’s opinion of me.

LINDSAY: And that’s the only reason losing her would have upset you?

SICARIUS: These questions are invasive. I do not appreciate your prying.

LINDSAY: All right, all right. Put your knife away, please. We’ll move on. Liana asks, “Tikaya from ENCRYPTED was one of the most formidable women you’ve met in your life, and you met her while still very young. Readers can’t help but notice the similarities between her and Amaranthe. You let Tikaya go, even though your assignment was to kill her, and you keep Amaranthe around even though it isn’t in your best interest. So I have two questions for you… One, was it because Amaranthe resembled Tikaya that you didn’t kill her in your first adventure. Two, will you ever tell Amaranthe about Tikaya and Rias, about how they influenced you and whether or not you keep in touch with them?”

SICARIUS: I spent little time with the Kyattese cryptanalyst. I spared her because of Fleet Admiral Starcrest. He is a great man. The emperor was mistaken to wish him dead. As a boy, I read his books on military strategy. I also acquired some of the less… factual books about his adventures and hid them in my cubby in the Imperial Barracks.

My choice not to kill Amaranthe had nothing to do with the foreign woman. When I met her, she wore a bracelet I recognized, one Sespian made by hand for his mother. I knew he would not have given it away lightly. I did not wish to kill someone who meant something to him.

As for two, I recently had to share the history of the alien technology with Amaranthe, and I explained the role Admiral Starcrest and Professor Komitopis played in decoding the artifacts. I have not kept in touch, as you say, but I would not be adverse to working again with the admiral one day.

LINDSAY: Celia asks, “Have you ever regretted a kill or have you only regretted the consequences of one (such as Sespian seeing the heads of the Mangdorian leaders at age five)?”

SICARIUS: It is illogical to dwell on that which cannot be changed. He pauses and studies the ground. There have been… targets I would not have chosen to eliminate of my own volition.

LINDSAY: Heather asks, “I have always wondered about the exchange with Litya in the super-secret-underwater lab that Basilard witnessed. Why did he look at the tank? What deal did she offer her that was so “interesting”?”

SICARIUS: Despite Amaranthe’s belief otherwise, I am capable of acting, so long as I have something invested in the outcome.

LINDSAY: In other words, you’ll throw yourself behind an acting job that will save yourself or perhaps Amaranthe or Sespian, but you’re less enthused at participating in a ruse to get Maldynado and the rest of the team out of jail, for example.

SICARIUS: I believe that’s what I said.

LINDSAY: Melody asks, “You’ve gone from working alone to working as a team. Would you rather go back to working alone, or do the pros of working as part of a team outweigh the cons?”

SICARIUS: Working alone is safest and most efficient. He lifts his chin. I was never captured or injured when I worked alone.

LINDSAY: And yet you’re still with them.

SICARIUS: You know why.

LINDSAY: Hm. Sylvia asks, “Aside from Amaranthe, how do you feel about the rest of the team? I know in the beginning you put up with them because of her, but have you developed a fondness for any of them, or a particular dislike? How about respect?”

SICARIUS: Basilard is a competent warrior.

LINDSAY: High praise indeed. Anyone else?

SICARIUS: The others talk too much.

LINDSAY: I see. You like Basilard because he’s mute.

SICARIUS: Silence.

LINDSAY: Right. Moving on. Maria asks, “When has Amaranthe’s self-endangering behavior made you angriest? And also (#2) – you peeked at Amaranthe in the cabin, didn’t you? You’re just too sneaky to get caught.”

SICARIUS: I have answered the agreed upon ten questions.

LINDSAY: Oh, come on. Everyone wants to know about that last one.

SICARIUS: I do not get angry.

LINDSAY: Uh huh, sure. And the last question? The one about sneaking a peek?

SICARIUS: An observant assassin sees everything.

Stop recording.

Thank you for reading (and if you haven’t picked up Book 4 yet, here’s the excerpt and store links).

Posted in Cut Scenes and Fun Extras | Tagged , , , | 102 Comments

Conspiracy (EE4) Available + Chapter 1 Excerpt

I was shooting for May 1st for a release date on the fourth Emperor’s Edge book, but it’s up and ready for you guys a couple days early. I’m posting the blurb and first chapter here, but if you don’t care about such things and just want to pick up a copy, EE4 is available at Amazon, Barnes & Noble, and Smashwords (look for it at iTunes, Sony, Kobo, etc. in a few weeks).

Blurb:

When you’re an outlaw hoping for a pardon, and the emperor personally sends a note requesting that your team kidnap him, you make plans to comply…

Even if it’ll involve infiltrating a train full of soldiers, bodyguards, and spies loyal to a nefarious business coalition that has numerous reasons to hate you.

Even if it means leaving the city right after you’ve uncovered a secret weapons shipment that might be meant to start a war.

Even if it’s a trap…

Chapter 1

The steel framework of the bridge trembled with the train’s approach. Amaranthe Lokdon crouched on a beam overlooking the tracks, steadying herself with a hand on a vertical support pillar. The train chugged closer, approaching the bridge at fifty miles an hour, black smoke streaming from its stack and hazing the starry sky.

Aware of the full moon shining into the canyon, Amaranthe hoped the engineer wasn’t watching the route ahead too closely. Her form might be visible against the dark sky.

When the locomotive reached the bridge, the vibrations coursing through its steel frame intensified. Amaranthe braced herself, ready to jump. She made a point of not looking at the moonlight reflecting off of the river hundreds of feet below, though her pesky peripheral vision refused to let her forget about it—and the long drop it signified.

The massive black locomotive passed beneath her, its smoke obscuring the view of the rest of the cars. The acrid air stung Amaranthe’s eyes. Nerves tangled in her stomach, but there was no time to worry about the view—or anything else.

As soon as the locomotive and coal car blew past, Amaranthe took a deep breath and jumped off of the beam. She dropped ten feet to the first freight car and landed in a crouch, softening her knees to touch down lightly—and quietly. Though she doubted the engineer would hear anything over the noise of the train, she wagered Sicarius was watching from somewhere, and he would have words for her—or a stern, expressionless stare—if she performed sloppily.

Amaranthe turned her head away from the coal-scented smoke in time to spot four figures dropping onto the four subsequent freight cars behind hers. Akstyr, Books, Maldynado, and Basilard, landing one after the other.

Akstyr straightened his legs too soon and flailed his arms for balance. Amaranthe lifted a hand, concern tightening her chest, but he recovered and sank to his hands and knees. Face pale, he glanced over his shoulder at the deep drop and the shallow river below. He raised two fingers in a rude gesture, suggesting the canyon and the train could engage in carnal activities.

Amaranthe snorted. No need for concern. He would be fine.

Akstyr noticed her watching and changed the rude gesture to one of Basilard’s hand signs, an arm wiggle and finger tap that meant both good and ready. She returned the motion. Further down, Basilard, Books, and Maldynado gave her similar signs.

So far, so good.

This might simply be training for the real mission planned for the following week, but the setting made the potential for injury, even death, quite real. Amaranthe had argued with Sicarius, suggesting they do this during the day, and in flatlands instead of on dangerous mountain terrain, but the discussion had been short-lived. She had given in under the force of his unrelenting glare. He had been demanding near-perfection from the team of late, driving them harder than ever, but she could understand why. He had more at stake than any of them.

Akstyr and the others were crawling off the roofs and onto ladders leading to the cars’ sliding side doors. Amaranthe pushed her thoughts away and got moving. After all, Sicarius was timing them.

She dropped to her hands and knees and slithered over the edge of her car, probing for a rung. Again, she had to force herself not to think about the drop.

Air thick with the scent of wet earth and fallen leaves railed at her, tugging at her clothing and making her eyes tear. Amaranthe descended with care, maintaining three points of contact at all times, just as if she were climbing down a sheer mountain face.

The short sword belted at her waist caught between the rungs, and she lost a few seconds extricating herself. Farther down, Basilard, Maldynado, and Akstyr had already entered their rail cars. Amaranthe forced herself not to rush or sacrifice safety for time, but tension tightened her muscles nonetheless. Though it was foolish and she knew it, she always felt the need to prove herself as capable as the men, especially when Sicarius was around to witness.

She leaned to the side of the ladder, reaching for the metal door latch. Her fingers brushed it. Grimacing, she lifted her leg and groped for a toehold on the inch-wide sill beneath the door, so she could lean out farther. This time, she caught the handle, though it wasn’t easy to open, and she struggled to find leverage without letting her foot slip.

The train had passed over the canyon and was chugging through a boulder-strewn valley, but a fall could still be deadly. If she landed under the wheels, they’d cut her in half faster than any weapon in the imperial army’s arsenal.

“Quit it, girl,” Amaranthe muttered.

She readjusted her grip and twisted and pulled the latch with determination. The handle released with a lurch, but she anticipated it and shifted her weight back to keep her balance. She reached inside, found something metal to grip, and clawed her way into the car. Only when both of her feet were on the textured metal floor did she release a breath of relief. She didn’t relax for more than a second though, not when she was silhouetted against the sky for anyone inside to see.

The freight car carried seeds, tools, and other agricultural supplies, so she didn’t expect anyone to be inside, but Sicarius had promised the objective would not be easy. She envisioned booby traps, but she had to be prepared for anything. She hoped her decision to split up the team had not been a mistake.

Amaranthe pressed her back against a stack of crates strapped to the wall beside the door. She pulled a satchel over her head and removed a small lantern and a wooden match nestled in a waterproof case at the bottom. Making a light was a risk, but she had little hope of achieving the objective, or dodging booby traps, in complete darkness.

The objective was, thanks to her questionable sense of humor and need to interject levity into the strenuous hours of training, to retrieve a fist-sized wooden ducky. Sicarius had said he’d place it in one of the first four freight cars, so it might not be in hers, but she had to check thoroughly. The team had only fifteen minutes to find it and meet him at the end of the train.

After lighting the lantern, Amaranthe eased into one of two lopsided aisles formed by crates stacked floor-to-ceiling against the walls and head-high piles of seed bags in the center of the car. According to Books’s research, much of the cargo had already been off-loaded at previous stops, and the train was on its way to its final destination in Agricultural District Number Seven, near the capital and home.

Amaranthe padded down the first aisle, hunting for places where one might stick a wooden duck. The tall piles of seed bags blocked her view of much of the car, and that made her uneasy. She alternated duck hunting and watching the floor, expecting trip wires at any turn.

Her first circuit revealed nothing, and she went around for another look, this time lifting the heavy bags on the tops of the piles to peek under them. One of sacks leaned precariously, throwing a shadow like a rearing bear against the crates on the other side. She set her lantern down to push the top couple of bags into balance, so the pile had a tidier look, then realized what she was doing and shook her head in disgust.

“Time frame,” she muttered. “This isn’t the place to clean.” She crouched to pick up the lantern. “Or talk to yourself.”

Something at the corner of her eye moved.

Amaranthe spun, her hand going to her sword hilt. Nothing was there.

A rectangle of moonlight bathed the metal floor near the entrance. It winked out as the train passed tall trees and then flooded the car again. That must be what she had seen. She drew her short sword anyway.

Leaving the lantern on the floor, Amaranthe returned to her search. She poked through an open crate filled with metal parts for some steam-powered farm implement. No wooden ducks. She shifted a few more seed bags aside to look under them, though her movements were rushed and less methodical than before.

Not only was she aware of time running out, but Amaranthe was growing increasingly uncomfortable. Something grated against her senses, like the wheels grinding on the rails below her. Though she had been all around the car, she had the feeling that something was watching her. Some animal perhaps? A rat? Or—a new thought occurred to her—it could be some person hiding, someone who had stowed away to avoid the pricy fare of a passenger train.

Amaranthe glanced down at the lantern. It would be highlighting her face, a face that adorned numerous wanted posters in the capital city.

“Time to get out of here.” She crouched and cut off the light, leaving a tang of kerosene in the air.

Before she could pick up the lantern, some sixth sense stirred the hairs on the back of her neck. She heard nothing, but instincts told her to move. Fast.

Amaranthe lunged forward, throwing herself into a roll. The lantern flew from her hands and skidded across the floor to clack into a crate. Not important. She kept her grip on her sword and jumped to her feet before the door.

Amaranthe didn’t glance back the way she had come—something told her she didn’t have time. She bolted out the door, jumping to the side and twisting in the air to catch the rungs. She flew up them with none of her earlier caution and only checked below as she was pulling herself onto the roof.

A dark figure jumped out of the car, somehow gripping the top of the doorway and swinging itself up to land in a crouch before her. Amaranthe scrambled to her feet and turned her sword arm toward the person, bending her knees in a ready stance.

The moon came out from behind the trees and shone on the figure’s short, pale hair and familiar angular features. Dressed all in black, he wore daggers to rival a porcupine’s quills, as well as throwing knives sheathed on his forearm.

“Sicarius,” Amaranthe blurted, relief washing over her. “I thought you were—”

A cutlass appeared in his hand, an army officer’s weapon. His face held no expression, and his dark eyes bore into her. She might as well have been exchanging stares with some stranger who wanted to kill her. The training exercise wasn’t over.

Amaranthe had barely prepared herself for the idea of a fight when Sicarius darted toward her, a dark blur under the moonlight. Her instincts told her to leap back, so she had more time to think, but she stood her ground. There wasn’t much space to give up on the top of the rail car.

The cutlass clanged against her short sword, driving it wide. Amaranthe knew the follow-up would slice toward her gut, so she had to leap back, giving herself time to bring her blade back in. She tried to parry, but his second thrust had been a feint, and already the cutlass slashed toward the inside of her thigh.

Metal screeched as their swords came together. She blocked him—barely. The power of his blow sent a painful jolt up her arm, but she kept her weapon in place. If he forced her arm wide, her torso would be exposed, an easy target. Again, though, she was forced to back up, to give ground.

Sicarius didn’t offer her a chance to recover or think. She could only react. Their swords came together, a continuous peal of scrapes and clangs of metal that echoed off the mountaintops. With reflexes honed by months of training, Amaranthe blocked him again and again, even in the poor light, but she could not gain an advantage. Worse, she knew he wasn’t moving as quickly and unpredictably as he usually did, not even close—he knew her skills and her style better than anyone, and he knew how to put himself just out of reach. Usually, he’d stop and offer her advice, but not tonight. Relentlessly, he drove her back.

Amaranthe dared not glance over her shoulder to look for the edge of the car; that would be an eternity during which he could—he would—strike.

Sweat streamed down her face and stung her eyes. She couldn’t pause to wipe it away, not now. Amaranthe tried to think of something she could do, a way to distract him, so she could strike a blow, or at least earn an opportunity to take the offensive, but she had sparred so often with him that he knew all her tricks.

The cutlass dug into her ribs, and she winced, jumping back and banging it away with her sword. Sicarius had used the back of his blade, not the edge, but his point was clear. It was hard to think up strategies when taking her focus away from him and his weapon for a split second resulted in his weapon slipping through her defenses.

The train headed into a curve around a rocky hillside. The car trembled beneath Amaranthe’s feet. She kept her balance, kept parrying his attacks, but she could tell from the amount of roof behind Sicarius that she was getting close to the edge. She had to try something.

The next time she parried a slash toward her torso, she turned it into a riposte, feinting toward Sicarius’s chest, then advancing half a step to strike at his thigh. She made her attacks rapid—her muscles were weary now, relaxed, and she could move faster than at the beginning, when tension had tightened her limbs. Sicarius blocked her strikes easily, as she had assumed he would, but he didn’t turn the attack back onto her immediately. She sensed he wanted her to try something, so she followed her thrusts with a slash toward his sword hand with the edge of her blade. The hand wasn’t a fancy target, but it was closer and easier to get to than the well-protected torso.

Sicarius evaded the attack, but he backed up half a step. Finally. Amaranthe forced him to block three times, each strike as fast as possible without sacrificing precision, and she managed to get inside his arm. She angled her sword toward his shoulder, lifting her front leg with extra emphasis, to show she meant to lunge in and throw everything behind the attack. But she slowed the blade, striking at half of her previous pace, hoping that she’d set him up to expect speed, and that he would move to block too soon. Then she would glide in over his arm and find her target.

It might have worked against a lesser opponent, but Sicarius saw through her ruse.

His cutlass slammed into her sword, sending her arm wide, and she almost lost the blade altogether. Knowing she couldn’t yank her arm back in quickly enough to block his next attack, she skittered backward. Her foot landed halfway over the edge of the car, and, with her momentum going that direction, her heel slipped off.

Amaranthe’s sword flew from her hand. She pitched backward. Fear stole her thoughts, and all she could think to do was flail, to try and catch something, but there was nothing but air around her.

A hand clamped onto her wrist. Sicarius pulled her up and back onto the roof. He plucked her sword from the air before it dropped away.

Amaranthe stumbled against him and clenched her eyes shut. The image of her body being cut into pieces beneath the great metal wheels of the train flashed through her mind. She wiped sweat out of her eyes with a trembling hand and fought to bring her breathing under control. More than exertion had her panting.

After a long moment, she stepped away from Sicarius. He extended her sword, hilt first.

“No, no, I’m fine,” Amaranthe said. “Thanks for asking.”

A normal sparring partner would have apologized for nearly sending her plummeting to her death. Sicarius never bothered with social niceties, though. She had never heard words such as “thank you,” “you’re welcome,” “good morning,” or “sorry I almost got you killed” come out of his mouth. He merely stood there, waiting for her to accept her sword.

Amaranthe took it and sheathed it firmly, letting him know she was done with train-top sparring matches for the night.

“You were thinking too much,” Sicarius said.

“I like to think. It gives my brain something to do.”

“Think to stay out of a sword fight, not once you’re in it,” Sicarius said. “I drill you on routines over and over, so they become an automatic part of your unconscious memory.”

“I haven’t noticed that I can get through your defenses consciously or unconsciously.” Amaranthe waved to the cutlass that he had sheathed in a scabbard on his back. “You’re using an army blade, so I figured you’d be mimicking a soldier, but no soldiers move like you.”

“The emperor’s elite bodyguard is extremely well trained,” Sicarius said.

“You think I don’t know that?”

Amaranthe sounded bitter and frustrated, and she knew it. Taking a deep breath, she willed the feelings to drain away. She would never beat Sicarius in a sword fight, not when he had been trained to kill since birth. They practiced so that she improved enough to beat other, lesser foes. She had to remember that and be happy with the progress she made.

“I’m hoping to come up with a plan that involves taking them by surprise,” Amaranthe said, “not fighting them on the roofs of moving trains. If we can’t get Sespian out of his car without killing people…” She tucked escaped strands of hair behind her ear, though the wind simply whipped them free again. “Well, it’ll be hard to convince him we’re good people who want to help the empire—help him.”

It’d been more than two months since Sespian gave Basilard a secret note, asking to be kidnapped, and Amaranthe still had no idea what had prompted him to choose her team for the request. Did he realize that she had been wrongly accused of plotting against him the winter before, and he wanted to get the real story? Or had he simply been motivated by the fact that her men were the best outlaws around and the logical ones to work with? Or maybe Sespian was working with Forge to lay a trap for her and her team. Though nobody in that coalition had attacked her directly yet, the shadowy business entity had to be aware of—and annoyed by—Amaranthe’s existence by now.

With the exertion past, her body was cooling, and the chilly wind needled her damp skin. Amaranthe climbed down the side of the car and slipped inside for its protection.

When Sicarius joined her, she asked, “Where are the others?”

“Dead.”

“Only for the purposes of the training exercise, I assume.”

Sicarius pressed something into her hand. The duck. “You should’ve stayed together or split the team into pairs.”

“You gave us four cars to search, and there are four of us. It seemed logical.”

“It is difficult to search and watch one’s back at the same time,” Sicarius said.

“I was only expecting booby traps. I didn’t know you would be a player in the game.”

“It’s not a game.” His tone was cool and clipped.

Amaranthe sighed. The same night Basilard had been receiving that note at the emperor’s big dinner celebrating the winners of the Imperial Games, Sicarius had taken her for a stroll in the Imperial Gardens where he had surprised the words from her mouth by kissing her. Even though he’d made it clear he wanted to wait until everything with Sespian was resolved before pursing a romantic relationship with her, she’d thought… Well, she’d thought it might have changed something, that he’d relax more around her, maybe make a joke or even deign to smile once in a while. But he’d been more controlled and aloof than ever since reading Sespian’s note. Amaranthe hoped that had to do with concern over the emperor—his son, a fact that nobody knew about except her—and not because he’d realized the kiss had been a mistake.

The wind had tugged his short hair in a thousand directions, and her fingers twitched. She longed to brush it into a semblance of neatness. Sicarius, however, did not look like a man who wanted to be touched. He gazed out the door, into the passing forest, his jaw tight, his eyes hard.

“I’m sorry we couldn’t go after him sooner,” Amaranthe said, feeling a need to break the silence. Shortly after giving Basilard that note, Sespian had left on a two-month trip around the empire to inspect the major military stations along the borders and coasts. There was a precedent—most emperors did such a trip once a decade—but Amaranthe wondered if someone had wanted Sespian out of the capital for a while. Books had spoken of an older woman who’d been there at the dinner with Sespian, acting like a chaperone. Since then, Amaranthe had tasked Books with researching Forge, trying to get names and addresses of key members, but it was a far-flung group, and her team had yet to pinpoint a leader. “I’m surprised you didn’t go that first week,” Amaranthe added, “and try to sneak into the Imperial Barracks yourself, to see if you could get him without our help.”

Sicarius’s eyes shifted toward her, and something lurked in their depths. Wryness? Chagrin? It was so hard to tell with him.

“Or did you?” Amaranthe asked.

“Wards.”

“What?”

“A new addition to the Barracks.”

Amaranthe arched her eyebrows. “Magic?”

The Imperial Barracks was not only the centuries-old building atop Arakan Hill where the emperor and his staff slept; it was also the headquarters for those that ran the satrapy and managed the affairs of Turgonia itself. Hundreds of people worked there. To imagine magic being used openly… magic in an empire that killed anyone suspected of employing it and, at the same time, denied its existence…

“It’s not apparent to anyone who hasn’t been trained to be sensitive to the Science,” Sicarius said, perhaps guessing her thoughts. “Even then, it’s well hidden.” He flexed his hand, as if in the memory of some pain.

“I’m sorry.”

Amaranthe lifted her own hand out of an urge to grasp his and offer some comfort, but she stopped before touching him. Maybe he wouldn’t appreciate it. She’d known him for almost nine months now, and nothing she had learned in that time suggested he found human touch desirable. Amaranthe let her hand drop with an inward sigh. She did think too much.

“We’ll get him, Sicarius.” She clasped her hands behind her back and settled for standing side-by-side with him, gazing out into the night. “We’ll get him, and we’ll help him with Forge. Whether he thinks he wants our help or not.”

Sicarius said nothing. Amaranthe hoped it wasn’t only in her mind that he appreciated her efforts.

 

* * * * *

 

Akstyr leaned against the wall of the rail car, his head brushing the metal roof. He sat on eight feet of greenhouse kits with his book open in his lap, though he was struggling to concentrate on it. His lamp wobbled on his pack, threatening to tip over with every clickety-clack of the train. That was plenty distracting, but it was the thoughts bumping around in his head like drunken soldiers that made reading hard.

Across the way, Books didn’t seem to be having any trouble skimming his newspaper and scribbling notes in a journal. Farther back in the car, Maldynado wasn’t having any trouble napping—as the obnoxious snores proved. But those two didn’t have anything to worry about. They hadn’t been plotting with Basilard over the summer, thinking up ways to get Sicarius killed to collect on that bounty.

A trapdoor in the roof scraped open. Greenhouse frames and crates of glass covered the entire floor of the car, reaching to the ceiling in many places, and the only way in or out was through that door.

Basilard dropped inside, followed by Sicarius.

Akstyr stared at the pages of his book. After being the one to bring up the kill-Sicarius idea, Basilard had decided he didn’t want to do it after all. Akstyr didn’t figure Basilard had said anything to Sicarius—or Akstyr would have had a dagger shoved down his throat by now—but the simple matter of Basilard having that knowledge made Akstyr nervous. What if Basilard let something slip eventually? What if Sicarius figured it out on his own? Even if Akstyr hadn’t done anything, he’d been thinking of doing something, and Sicarius seemed the type to kill a man for having a notion against him.

Amaranthe dropped into the rail car last and pulled the door shut. Maldynado sat up with a start, thumping his head on the ceiling, but barely noticed.

“Hullo, boss,” he said.

Books lowered his newspaper and gave Amaranthe a respectful nod.

“Who’s hungry?” Amaranthe grabbed one of the group’s rucksacks. “We have a bounty of delicious ready-to-eat-without-being-heated delights.”

“So long as it’s not noodles and lamb chunks again,” Maldynado said. “A man shouldn’t have to eat anything with the word chunks on the label.”

“On that we can agree,” Books said.

Maldynado gave him a suspicious look, as if he expected an insult to follow. Books was busy eyeing Amaranthe’s rucksack, as if she might pull poisonous snakes out of it. Akstyr thought the others were wimps. He’d eaten far worse stuff when he’d been growing up. The winter when he’d lived on used cooking lard and skewered rats, sometimes cooked, sometimes not, came to mind.

“Uhm.” Amaranthe rooted through the bag, passed on a couple of cans, and pulled out a flat tin. “How about beans and sausages?”

Books’s eyes narrowed. “What’s that small print say?”

“That the sausages are chunked and formed.”

Books’s lips flattened.

“How is that better than the lamb chunks we already vetoed?” Maldynado asked.

“I wasn’t sure if it was chunks specifically you had a problem with,” Amaranthe said, “or all permutations of the word.”

Basilard lifted his hands and, in his Mangdorian hunting code, signed, I could make a real meal if we had access to a fire.

“Alas,” Amaranthe said, “I don’t think the engineer would have kind words to say if we showed up at his furnace with frying pans in hand.”

“He might if all he’s been eating are meat chunks dubiously made in some squalid factory.” Books lifted his newspaper again. “These are strange times we’re living in. Every technological advancement removes us further from nature.”

“Beans sound good to me,” Akstyr said, hoping to interrupt whatever lecture or diatribe Books might be working himself up to. The man had some gray at his temples, and was probably in his forties, but sometimes he acted like the doddering geezers who played Stratics in the park and whined about wayward youths.

Sicarius removed a package from his rucksack and unwrapped his supply of bricks. That’s what Akstyr called them anyway. They were some sort of dried fat and meat concoction Sicarius pounded into bars for traveling. Akstyr doubted the starving people on the streets where he grew up would eat them unless the rat supply was extremely low.

Sicarius offered a bar to Amaranthe. She glanced back and forth from the can of beans to the proffered brick while wearing the pained grimace of someone deciding between torture by branding irons and torture by toenail pulling.

Sicarius looked in Akstyr’s direction. Akstyr pretended to be engrossed in his book, but he could feel that stare upon him anyway, about as friendly and warm as a piss pot frozen over in winter. Sure, Sicarius always looked at people that way, but Akstyr couldn’t help but worry. Sicarius knew more about the Science than most Turgonians, and maybe he knew a few practitioners’ tricks himself. Like mind reading.

Though Akstyr appreciated that Amaranthe watched his back, and nobody here cared that he studied the mental sciences, he figured it would be better for his health if he got out of the area sooner rather than later. And far out. Far enough that Sicarius wouldn’t bother coming after him if he ever learned the truth. Some place like the Kyatt Islands. They were way out in the middle of the ocean, and they were known for their Science practitioners. Maybe Akstyr could even go to school at their Polytechnic and finally learn what texts alone couldn’t teach him.

“Huh.” Books’s paper rattled. “Look at this. We’re mentioned.”

“Oh?” Amaranthe had a couple of cans in her lap and was digging out an opener. “I thought you were researching links to Forge people, not reading the exploits of a heroic and wrongfully accused band of outlaws.”

“It’s a tiny piece,” Books said, “tinier, I see, than this editorial on a perceived cat overpopulation problem in the city. But listen to this: Eye witnesses claim that Amaranthe Lokdon and the group of mercenaries calling themselves the Emperor’s Edge defeated notorious murderer and gang leader Bloody Batvok last week, ending his illegal taxation-for-protection stranglehold on the merchants and grocers working along Thistlemount Avenue. Local enforcers offer no comment. The group consists of a former warrior-caste fop, Maldynado Montichelu—”

Fop?” Maldynado asked. “Who wrote that?”

“—gang member, Akstyr, last name unknown,” Books went on without a glance at Maldynado, “former professor Marl Mugdildor, and a Mangdorian named Temtelamak.”

Basilard rolled his eyes at his moniker. Maldynado had entered Basilard into the Imperial Games with the name of an old war general who’d been known for his bedroom exploits. Apparently, it had stuck.

“The assassin Sicarius is also believed to have been there,” Books finished.

Amaranthe grinned and shared a long look with Sicarius. “Not exactly front-page fame—and it’s hard to compete with feline population problems for attention—but at least someone’s writing us up now. That’s not even The Gazette,” she said, naming the paper where she’d made friends with that journalist, Deret Mancrest.

Akstyr felt satisfaction of his own because he’d helped take down Batvok. The thug had been from a rival gang that had always been trying to stomp out the Black Arrows when Akstyr had been a member. Too bad he didn’t have any aspirations to be famous. Given his hobby of studying the illegal and forbidden mental sciences, it was best for him to be invisible in the empire. Fame would only—

His thoughts hiccupped.

Maybe this was his way out of the empire. Everyone knew about the million-ranmya bounty on Sicarius’s head, and now that Akstyr’s name had been mentioned alongside Sicarius’s, people might know that Akstyr ran with the infamous assassin. There was no way Akstyr would try to kill Sicarius himself, but what if he didn’t have to? What if he just sold information to someone on how to find Sicarius? Akstyr didn’t need a million ranmyas to get out of the city. If he had twenty or thirty thousand, that’d be plenty to buy a train ticket, a steamship ticket, and maybe even pay for his tuition at the Polytechnic. Hairy balls, it might even buy him food and a place to stay while he studied. His heart swelled at that idea of himself as… well, as a wizard. Sure, only Turgonians called practitioners that, but he had to admit it sounded brilliant. It sounded more than brilliant.

“Beans?” Amaranthe asked, touching Akstyr’s arm.

He flinched in surprise, and his elbow bumped against his lantern. It toppled, and he lunged to catch it. In the process, he lost his book and slid down the pile of greenhouse kits. He ended up wedged into a gap that left his knees pressed to his chin.

“Sorry,” Amaranthe said, though her eyebrow quirked in amusement. “I didn’t realize you were so engrossed in your book.”

“My book?” Akstyr asked blankly.

She lifted the tome and handed it to him.

“Oh, right. My book.” Akstyr swallowed. Idiot, he cursed himself. All he’d done was think about his plot, but he was already acting suspiciously.

“Maybe he’s just that excited over the idea of sausages chunked and formed,” Maldynado said.

“Yeah, that’s it.” Akstyr laughed. Did it sound nervous? Or forced? He hoped not. He accepted the book and the food.

Amaranthe smiled, but Akstyr felt Sicarius’s gaze upon him again. Emperor’s warts, Akstyr was acting suspiciously. He was no good at lies.

In that second, Akstyr decided he’d be a fool to actually betray Sicarius. Maybe he’d sell false information instead. False information on Sicarius’s hideouts and the best way to capture him. Thanks to the newspaper, people should believe he had that information. He still knew gang members who might put him touch with those who could afford to pay well for a chance at a million ranmyas, and by the time everyone figured out what he’d been up to, he’d be out of the city and on his way out of the empire forever. By winter, he’d be on a tropical beach on Kyatt, enrolled in school to learn about the only thing he truly loved.

What could go wrong?

* * *

Available at Amazon, Barnes & Noble, and Smashwords (look for it at iTunes, Sony, Kobo, etc. in a few weeks).

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