Cut Scene from The Emperor’s Edge

Usually when I delete a scene from a book, it happens early on, and there’s a good reason for attacking it with scissors. This is a scene that I’d be tempted to add back if I ever did a “director’s cut” of The Emperor’s Edge.

It was originally most of Chapter 3 and took place after Hollowcrest sent Amaranthe off to “seduce” and kill Sicarius. She decided she’d better practice this seduction thing before going after our dear deadly assassin. What happens in this scene is the reason she tossed that idea out the window.

I cut it because I originally thought I’d be hunting for an agent with EE, and everybody said fantasy novels over 100,000 words were a tough sell, so I was trying to shave off as much as I could, and the scene wasn’t that crucial. Also, I’d heard that agents tended to request the first three chapters (if they were interested in your query letter), so I thought it’d be a good idea to bump up the introduction of Sicarius to fall into those introductory pages. Lastly, a couple of my male critique buddies got the impression that Amaranthe was too homely to score based on this scene. Of course, my intention was just to show that she’s better at getting people onto her side than into her bed. 😀

So, for those who enjoy such things, I present the old and unedited…

Chapter 3

Seduction.  Amaranthe found the thought almost as unappealing as assassination.  Well, if she was going to pull it off, she needed practice.

A breeze whistled through the street, causing an icicle-bedecked sign to swing.  Two Toes Slink, it read above a crude picture of a dancer holding an oversized mug of beer.  Amaranthe regarded the brick building with distaste.  She did not begrudge people their need for recreation, but all her experiences with slinks had involved going in, breaking up fights, and arresting folks.  People ought to have something more constructive to do with their time than starting barroom brawls.

Layers of shoveled snow were piled against the building’s brick walls.  Fresh powder skidded across the slick pavement and curled around Amaranthe’s exposed ankles.  She wrapped her parka tighter, partially because of the cold, partially because she felt ridiculous in the clothes she was wearing underneath.

“Give me something sexy,” she had told the shopkeeper before she could think better of it.

The sleeveless blouse was not entirely horrible, and the knee-length skirt that hugged her hips and buttocks like a sausage casing, while not practical, was wearable.  It was the cursed sandals that were insufferable.  Sandals.  In winter.  Against all logic, they were in style this season.  As a compensation for the freezing weather, the shopkeeper had found her a pair of sandals with fur-lined straps.  Amaranthe had a hard time feeling sexy with squirrel tails wrapped around her ankles.

“Tonight, we see if this seduction tactic is feasible,” Amaranthe muttered to herself and reached for the latch.

A distant, chilling screech froze her hand.  Gooseflesh rose all over her skin.  It had sounded… Amaranthe did not know what it sounded like.  Not human.

She cocked her head, listened for it to repeat.  It did not.

The door slammed open.  Amaranthe jumped out of the way.  She landed in a pile of shoveled snow that swallowed her mostly-bare feet.

A man and woman staggered out, both too drunk and too involved with each other to notice Amaranthe.  Drumbeats escaped through the door as well, pulsing into the street. She pushed the eerie scream from her mind and hustled inside to find a warm place for her feet.

Fortunately, stoves burned in every corner of the long, low-ceilinged room.  Gas jets lined the walls and illuminated two circular stages, one with nearly nude female dancers, one with nearly nude male dancers.  They writhed around networks of vertical, horizontal, and diagonal bars with sinuous moves that gave slinks their name.  Unmarried men and women, or those pretending to be so, met and mingled in the open area between the stages, often shortened to the ‘Between.’

Amaranthe removed her hat, gloves, and parka and hung them on a peg next to the entrance.  She wandered around the men’s half of the slink.  The drooling masses in front of the stage, she avoided.  Instead she eyeballed groups at side tables more removed from the action.  A pack of young soldiers, identifiable by their short-cropped hair, did not pass inspection.  Too easy to seduce.  A table of university students received the same verdict.  If Sicarius was in his thirties, he was probably old enough to be ruled by something more than his penis.  He had to have a modicum of intelligence as well, to so efficiently evade Hollowcrest’s forces.

Near a middle-aged group of men, Amaranthe paused.  A fat tome on the table labeled Hypocaust Failings and Heating Alternatives promised brighter-than-average slink patrons.

“I admit some of your technology is impressive,” a blond man at the table said, “but you can’t deny the benefits of magic.”  His beaded buckskin clothes and long braided hair would have marked him as a foreigner even if his choice of conversation topic did not.

“I’m sure the benefits would be superb,” someone else at the table responded, “if magic existed.”

The empire denied the existence of magic and simultaneously declared its use a crime.  Though Amaranthe had noted the incongruity, she had never worried about it, nor had she arrested anyone for claiming special powers.  Like the second speaker, she had never seen proof that magic existed.  Apparently, the others at the table agreed.  They chuckled and raised mugs full of beer or hard cider to salute their comrade.

“You Turgonians.”  The foreigner shook his head.  “For a supposedly advanced people, you can be glaringly ignorant.”

“Why? Because we don’t believe in gods or mind-numbing superstitions?  Like that helpful spirit Kendorians think will come during the night and bless their homes, provided they sacrifice chickens on the doorstep?  What’s the name?”

“Yugima,” the foreigner admitted, cheeks reddening.  “Not everyone does that.”

“I should hope not.  There are some smells you just don’t want to wake up to in the morning.”

Amaranthe felt conspicuous hovering, so she eased closer.  “Pardon me for interrupting, but this sounds like a more interesting conversation than any of the others in here.  Would you mind if I joined you?”

“Please do,” a graying man said.

The nearest fellow acquired a chair from another table while others made room.  Another plucked a mug of cider from a passing waitress and positioned it front of her.

This might be easier than I thought.  Amaranthe rarely received such consideration when she dressed as an enforcer.  She supposed people saw the uniform and not the person.  Or maybe her squirrel-strap sandals were performing as promised.

The foreigner promptly included Amaranthe in the conversation.  “I’ve always thought Turgonian women brighter than their male counterparts…” The other men booed, though it was with amiable cheer.  “Tell me, would you discount the possibility of something just because your government denied its existence?”

Amaranthe scraped away a suspicious stain on the table’s surface.  “I suppose not, if I personally saw proof.  Can you, by chance, do a magic trick?”

The others leaned forward, grinning.  “Yes,” they enthused.  “Let’s see a magic trick.”  This quickly grew into a chanting of “Magic trick, magic trick.”

Amaranthe wondered if the book she had judged the group’s intelligence by had been left by previous patrons.  Or perhaps it was the number of empty glasses stacked on top of it that accounted for the men’s boisterousness.

“I’m a diplomat, not a shaman,” the foreigner said.  “Note the lack of tattoos on my face.”

“A convenient excuse,” someone said.

“If you uncouth oafs ever run into a shaman from my country, you’ll learn the truth and it could be…unpleasant.  Better yet, I hope you stumble across a Nurian wizard’s path.  Those people are incredibly powerful.”

“So…” A man belched.  “Does that mean no magic trick?”

The foreigner sneered, paid for his drinks, and left.

“Finally,” the graying man in front of the book said.  “Now we can talk about something worthwhile.”

“He’s not a bad fellow,” another said, jerking a thumb toward the departing man.

“No, but you know the law.  We can’t discuss technology with foreigners.  Diplomat is code for spy.”  He cleared the glasses off the book and fished out notes and sketches.

“What are you working on?” Amaranthe asked.

The graying man leaned forward.  “My team–” he nodded to include his comrades “–has won a contract from an industrious businesswoman who’s refurbishing the city’s old buildings with modern heating systems.”

“Interesting,” Amaranthe said.  “Are you replacing fireplaces with stoves or is it more complex than that?”

“Far beyond that.  Most of the older buildings have basement or ground-level exterior furnaces where the hot air is directed under the floors and up through clay flues in the walls.  It’s ancient technology that came with our ancestors from Nuria, along with bronze swords, wooden sailing ships, and other archaic things.  Fireplaces were actually a step back.”

Another man nodded.  “The empire’s always been so concerned with war and making us all into stoic soldiers who are too good for comforts–” he rolled his eyes and tilted his head back so dramatically he almost fell out of his chair, “–that the only advances we were making for a long time were related to food production, troop transportation, and weapons smithing.”

“I wasn’t aware that mentality had changed,” Amaranthe said dryly.  “If I remember my history correctly, a lot of our more ubiquitous inventions like eyeglass and wood-pulp paper were, ahem, acquired from supposedly less advanced cultures.”

“Yes,” another man at the table said, “but now that we have these women starting businesses, there’s suddenly a market for non-military inventions.”

Their enthusiasm for their work appealed to Amaranthe, and she found herself asking more questions.

You’re supposed to be seducing them, came a niggling thought from the back of her mind.  Right.  She took a deep breath, steeling herself.  Thwarting armed bandits she could handle.  This was a challenge.

When no one was watching, Amaranthe slid her chair closer to the fellow next to her.  She unfastened the top two buttons on her blouse and tried not to feel like a floozy.  This is for the empire, she reminded herself.

“Are you hot?” her intended target asked.  “It is warm in here.”  He waved a hand.  “Waitress, bring us some ice.”

Amaranthe forced a smile.  That was not the reaction she had expected.  She caught the man’s gaze and winked.  He did not seem to notice so she did it a few more times.

“Do you have something in your eye?” he asked solicitously.

“I… no.  I mean yes, but it’s gone now.”

“Good.”  He smiled and returned to the group conversation.

Hm.  Maybe he preferred men.  Amaranthe adjusted her chair again, this time closer to the fellow on her other side.

The waitress returned and plopped a bowl of ice in the center of the table.  Flecks of sawdust, the stuff used to pack and preserve ice through the warm seasons, stuck to the jagged shards.

One of the men across the table whistled as the waitress departed.  She waved back at him and twitched her rump.  An interested smile launched across the man’s face.

There, what is she doing that I’m not?

Amaranthe turned to her new target.  His arm rested on the table.  She casually lifted her hand, intending to rest it on his.  He reached for the ice at the same time, and their arms collided.

“I’m sorry,” he said.  “I didn’t mean to bump you.”

Amaranthe tried her wink again.  “I don’t mind.”

“You’re very kind.”  He turned back to the conversation.

Someone asked her a question, and Amaranthe found herself drawn in again.

What in the name of the emperor am I doing wrong?

 You’re being too subtle.  Just press your breasts against one and say let’s go somewhere alone. 

I can’t do that. 

You’ve seen women do it a hundred times. 

Amaranthe shook her head, annoyed at the arguing voices, afraid they might be some indicator of impending insanity.

At the next lull, she turned again to the man whose arm she had bumped.  She leaned close.

“Do you…” she started.

He cocked his head with interest.  Friendly interest, not lascivious interest.

“…know I have to use the water closet?” she blurted.

Amaranthe rose and strode toward the Between.

“What’s wrong with me?” she muttered.  “When did men become more interested in chatting than sex?”

“You offering?”

Amaranthe was almost relieved when the broad man swathed in alcohol vapors planted himself in her path and leered at her chest.  There was little point in practicing seduction on someone who was trying to do the same thing though–if one could call his approach seductive.

“Not at the moment, thank you,” Amaranthe said.

He grabbed her wrist.  “Why don’t you come outside with me?  I’ve got something I want to show you.”

“If I wanted to see that, I’d ask one of those pretty male dancers up there.”

He tried to tug her toward the door.  Amaranthe twisted her wrist so the edge rested against the weak spot in his grip, where the thumb and fingers met.  With an efficient yank, she pulled her arm free.  She was debating on the amount of force required to convince him to forgo further advances when a voice came from behind her.

“Leave her be, you odious thug.”

“Beat it,” the drunk said, “this one’s mine.”

Amaranthe turned part way to find the entire group from the table lined up behind her.

“She doesn’t want to go with you.”

“Gentlemen,” Amaranthe said, “I appreciate your help, but this isn’t–”

The drunk swung his fist.  Amaranthe’s earnest allies swarmed over him like ants on a dropped scrap from Curi’s Bakery.

Amaranthe jumped back to avoid being knocked from her feet.  She dodged two tottering fellows who looked like they might be allies of the man who had accosted her.  They piled onto the writhing heap.  Someone’s chair was kicked out from under him, and another table of men joined the fray.

“Gentlemen,” Amaranthe shouted this time.  “Stop this, it isn’t–”

A flying mug whizzed at her.  She ducked out of its path.  It crashed into the temple of a male dancer on the women’s side of the room.  He bellowed in anger, then launched off the stage onto the pile of brawlers.  Other dancers streamed after him.

Chaos.  Amaranthe could not stop it.  She backed toward the door.  Hollowcrest had forbidden her from speaking to her colleagues, so she dared not wait around for the enforcers to show up.  After grabbing her parka, she hustled outside, barely noticing the cold.

She strode away, trying not to feel like a suspect fleeing a crime scene–or a soldier abandoning comrades to the enemy.  Those men had engaged in a brawl on her behalf.  How did she let that happen?  Here I was condemning the kind of people who started fights in slinks…

When Amaranthe found a sign for a trolley stop, she slowed.  She leaned against its steel support pole and shook her head.  Maybe she should not have talked to them first.  Maybe she should have worn more revealing clothes.  She grimaced at the thought.  The cold from the pole seeped through her parka.  Maybe the seduction scenario was simply too far outside her range of skills.

The grind of wheels on rail announced the trolley’s approach.  Amaranthe straightened.  She was not ready to give up.

“I’ll get your assassin for you, Hollowcrest, but I’m going to do it my way.”

* * *

For anyone who might have stumbled across this without having read the novel first, The Emperor’s Edge is currently free at Smashwords and Amazon. Give it a try!

 

 

 

Posted in Cut Scenes and Fun Extras | 8 Comments

What the Heck is Author Branding and How Do You Do It Anyway?

BrandingA few years ago, I watched a YouTube video from an internet marketing guru (yes, he did try to sell me something at the end) that talked about why Coca-Cola was such a good brand name. Among other things, it had alliteration and rhyme, two elements that help people remember things.

I guess my parents didn’t know that I’d one day be working to brand myself as an author, because they didn’t use alliteration or rhyme when choosing my name. Heck, my first and last names aren’t even easy to spell (as attested by the tons of variations people type into Google to find my site). If I were smart, I might have chosen a pen name that would be easy for people to remember, but I’m stubborn and I like to do things my way.

If you hadn’t already guessed, the topic for today’s post is branding, specifically author branding, because we’re more interested in selling books than syrupy soda beverages, right?

What is a branding anyway?

Wikipedia tells us the American Marketing Association defines a brand as a “Name, term, design, symbol, or any other feature that identifies one seller’s good or service as distinct from those of other sellers.” (emphasis mine)

So, basically, it’s about setting yourself up to stand out in a crowded field, right?

As an author, you can brand your name (Stephen King) or your books (The Twilight Series). You might even brand your main character (maybe your parents didn’t give you an easy-to-spell and memorable name, but that’s no reason why you can’t think things through a little better when it comes to your heroes!).

I’ll admit it: I wasn’t thinking of branding or any type of marketing stuff when I wrote my first novels, so you won’t find good examples in my book titles or character names. It is something I’ll think about with the next series.

This is honestly the sort of thing the publisher usually thinks about (did you know authors don’t necessarily get to keep their chosen book titles?), but as indies it’s up to us to do it all.

If you can choose a catchy pen name, series title, or hero name, it might help with branding, but mostly becoming a recognized name in the field seems to be a matter of…

  • selling a lot of books
  • being around and publishing for a while
  • popping up every time your audience turns around

The first two things are tough to influence when you’re starting out, but you can work on number 3.

The secret?

Be everywhere.

Okay, okay, I don’t mean everywhere. We’re not going to run ads on the sides of buses or pay for billboards in the city, but you want to be in as many places as you can where your potential readers hang out.

That sounds time-consuming, but it might be less so than you’d think at first blush. A lot of people equate being everywhere with spending hours on Twitter and Facebook and forums. It is worth it to build a Facebook Fan page and hop on Twitter to interact with folks for a few minutes a day (I’m less enamored with forums, because you’re one little tree amongst a forest there, and threads where you participate quickly get pushed off of the front page), but both sites will probably only be a small part of your branding strategy.

I suggest we put a large portion of our marketing effort into things that we only have to do once, but that can continue to provide benefits (i.e. help with our author brand) down the road. Here are some of the things I’ve done:

  • Giving away free ebooks (short stories or novels — something in a series seems to work best) and putting them everywhere you can upload free stuff — For starters, Smashwords, Scribd, Feedbooks, etc. And it’s possible to get free ebooks listed at Barnes & Noble and Amazon too. I did this with my Ice Cracker II short story way back in February, and it was one of the first things that made a real impact on my (at the time laughable) sales.
  • Being active on Goodreads — This is a huge reader community, and your future fans are there waiting for you. Yes, you can join the discussion boards and be active that way, but that’s a lot of work. I prefer to do book giveaways (you need to have a paperback copy) and let my ads run there. I first set up an ad campaign for EE and Encrypted back in January (if you read the post, please keep in mind it’s almost a year old — everything from my book covers to my sales numbers have changed a lot since then), and it’s never cost me more than a couple of dollars a day since I made the ads highly targeted. The campaign runs day after day, month after month, without me having to do anything. For giveaways, you get a lot of eyeballs on your book for the price of one paperback plus shipping. I had close to a thousand people sign up for my first giveaway, and I intend to do more soon.
  • Being on iTunes with a podiobook (a series is even better) — I’ve written about my adventures in turning The Emperor’s Edge into a Podiobook before, and I know it’s already helped with sales (lots of cool folks have told me they first found my books through iTunes or Podiobooks.com). I’m positive it’ll continue to help into the future, long after all the episodes have been published. Why? Audiobook lovers are readers too, and there’s less competition in the podiobook sphere (because it’s a lot of work to record an audio of your book!). It’s easier to stand out on iTunes and Podiobooks.com than with an ebook on Amazon. If you want to give the first chapter of my book a try (for demonstration purposes, of course), you can listen at Podiobooks or on iTunes.
  • Being on Facebook — I already linked to my post about building a fan page, and that’s all I think you need to do here (though you can put time into interacting with others if you enjoy the platform). Why bother? 600 million+ people are on Facebook. Lots of them are readers. Once you have fans, some of them will look for you there. And some of them will “like” you and share your links, thus helping others find you. It doesn’t take long to put up a Facebook page either. Basically, follow their wizard, add some excerpts or links to freebies, and post fun stuff to your wall now and then. Here’s mine for example purposes. Someone’s actually in the process of doing a custom logo and design for me over there, so look for that in the new year.
  • Being on Twitter — Twitter is one of those places where your “tweets” will quickly fall off of people’s radars, but it is one more place where you can have a little bio with links to your site and your book page at Amazon. If you network with others, you can build traffic to your blog with Twitter too (through people’s retweets), and it’s a good place to mention your freebies (it’s less good for trying to straight out sell things to folks).
  • Guest blogging — A post you write for someone else’s blog can continue to bring traffic to your site for months and years to come, and it exposes you (your brand!) to the readers of that blog. Writing for a high-traffic blog can be particularly helpful. Make sure the post informs (maybe even entertains) and, for the purpose of search engine optimization, contains links back to your site and your freebies. If you don’t have freebies, link to your book pages on Amazon, B&N, Smashwords, etc. (I really like to send people to my freebies, because there’s no monetary obstacle to keep them from trying me, and, if they enjoy the stories, they can always go onto the non-free books.)
  • Being out in the real world — Yeah, I’m a hardcore introvert, and this isn’t my strength, but you can get a lot of mileage out of going to conventions and get-togethers with readers and writers in your genre. It’s on my to-do list. In the meantime, I’m having business cards made, so I can at least hand them out to people I meet in my travels. Robin Sullivan over at Write2Publish has a good  post on how she made up her husband’s (the author) awesome business cards.

There are more places where you can be, but I’ve listed some of the biggies here. One I didn’t mention is YouTube, in part because it’s less of a reader hangout than a people-who-prefer-videos-for-entertainment hangout, but I’ve heard of authors connecting with their fans through regular vblogs (video blogs) posted there. It is possible to reach your target audience and build up a fan base there. Book trailers aren’t the way, but if you can answer questions or otherwise inform people through that medium, you can do well. Maybe I’ll give it a try in the future (because my to-do list isn’t long enough now!).

Remember, it’s best to do things today that can continue to pull in readers down the road, whether you ever touch those projects again or not. If your idea of marketing is spending 15 minutes contributing here, here, here, and over there every day, you’ll get burned out quickly.

If you have any thoughts or suggestions for more places to work on branding, let us know below.

 

Posted in Book Marketing | Tagged , , | 10 Comments

The Emperor’s Edge in Africa, the Author in Australia

Emperors Edge Goes on SafariBack in October, when I did a paperback giveaway for the first two Emperor’s Edge books, two of the winners ended up being in Africa. After I cried a little over the cost of postage, I decided it was pretty cool that my books would end up on the other side of the world.

One of the winners (*waves Claire*) was even kind of enough to have them photographed out in the wilds of Africa (okay, I think it’s on a street, but that’s still cool).

It’s fun to know the stories are being read in various places around the world.

As for myself, I arrived in Sydney, Australia today. If anyone has recommendations for fun (or geeky) things to do here, let me know. Don’t worry. I won’t let myself get too distracted from working on the next book!

Posted in News | 8 Comments

How Do You Find *Good* Self-Published Authors to Read?

So, you’ve got a new Kindle, Ipad, or Nook, and you hear that it’s all the rage to support self-published or “indie” authors (it doesn’t hurt that their ebooks are usually cheaper, sometimes a lot cheaper, than those put out by traditional publishers). But without any…ahem, quality control, how can you be sure you’re not wasting your time? After all, didn’t these poor slobs self-publish because they weren’t good enough to get an agent?

Well, maybe. Maybe not.

Lots of writers are choosing to go straight to self-publishing (especially e-publishing) these days, because, if you don’t mind all the DIY stuff and the marketing aspect, the money’s better (70% earnings per book sale instead of 8-25%). Also, some see it as an alternative route to a traditional publishing deal. (As we were discussing last week, quite a number of self-publishers have been picked up by Big 6 publishers after establishing a fan-base and proving they can sell books).

In short, though there are a lot of amateurish self-published works out there, there are also some that are as entertaining as anything you’d see coming out of New York.

But how do you find these promising up-and-comers?

Here are some suggestions:

Sample, sample, sample

One of the perks of e-readers is that you can download samples for ebooks. The first few pages might not tell you if you’ll like how the story develops and is resolved, but they’ll tell you heaps about the quality of the writing (and editing).

If you’re not impressed with what you see, don’t expect the book to get better. Most authors spend a lot of time polishing those opening pages, especially on first novels. Those might very well be the best pages in the book.

Find Bloggers Who Review Indie Books

Book blogging has become tremendously popular, and readers are starting review sites for every genre you can imagine. It used to be hard for indies to get reviewed, but quite a few indie-friendly bloggers have popped up of late (thank you, good bloggers).

If you find a couple of bloggers whose tastes match yours, subscribe to their news feeds and come back often to see what they’re recommending.

I’ll be adding a list of indie-friendly SF/F bloggers soon, but in the meantime you can check this list of over 100 bloggers who review indie books.

Pay Attention to Amazon’s Recommendations and “Customers Who Bought…” Areas

If you’re an Amazon fan, visit the books of some of your favorite authors, and click through the “Customers Who Bought This Item Also Bought…” section (other stores are starting to have these features too). There are a dozen-odd pages you can skim through, each with three books, so chances are there’ll be some indies in the mix.

Books that show up in the “Customers Who Bought…” section have typically sold hundreds or thousands of copies, so you know somebody’s reading them.

If an indie book shows up on your recommendations page on Amazon, it’s likely sold even more copies.

It’s true that just because a book sells a lot of copies doesn’t necessarily mean it’s a hit, but it’s pretty hard to get the ball rolling as an indie, so there’s a good chance that a book that does that well is being enjoyed by quite a few folks.

But, when you’re browsing these sections, how can you be sure you’re looking at indie books?

You can often, but not always, tell indie books by the 99-cent or 2.99/3.99 price. Don’t assume a book sucks because it’s inexpensive. A low price usually means the author is a) trying to build a fan-base by offering his or her first book inexpensively or b) happy with his or her earnings at said price — at 2.99 an independent author is making $2 per book, which is as much, if not more than, her traditionally published counterparts, folks that have to cut the pie a lot more ways.

Another clue is if, on the book page, there’s no publisher listed (though some self-published authors do make up publishing houses for themselves to sound more official).

Choose books with numerous reviews (not all glowing!)

There’s nothing wrong with downloading a sample from a book with no reviews, especially if the book was just published (hey, you never know), but reviews tend to be even more crucial with independent authors. With traditionally published books, you have some guarantees as to editing and story cohesion. With self-published works, you can save yourself time and frustration by going with those that have more favorable reviews than not.

But beware of all glowing reviews (especially if they all came in as the book was released and nobody else has reviewed it in months). It’s typical for early reviews to come from people who are loosely connected to the author (even if the only connection was a quick exchange on Twitter, those folks might feel compelled to write something supportive). It’s an inevitable fact of being published that books that are out there for a while and selling a decent number of copies have bad reviews as well as good ones, not to mention the 3-star “meh” reviews.

Anything else?

With all this being said about a degree of safety in reviews and Amazon recommendations, I would like to point out that your purchase will mean a lot to an independent author who doesn’t have many reviews or a good sales ranking. If a book sounds good, the sample is promising, and the price is agreeable to you, give it a try!

Also, if you liked the book, you will seriously make the author’s day if you send a quick note to let him or her know it. (Smart authors make this easy on readers by including contact information and/or websites and social media links at the end of the ebook.)

That’s it from me, though I welcome folks to add their own tricks for finding good independent authors.

Posted in Tips and Tricks | Tagged , , | 17 Comments

Deadly Games Update and News on Upcoming Projects

Hi, everyone (and Happy Thanksgiving to those in the U.S.).

Today I’d like to take a moment to thank you guys for your support on Deadly Games, the third Emperor’s Edge book. It’s the first book I’ve “launched” from the road, and I was a little stressed, trying to get everything together that last week, especially since I was staying in a hostel and didn’t have anywhere to go for privacy. We won’t go into the slow internet…

Fortunately, everything seems to have come together satisfactorily. The response, so far, has been great, and I’m glad so many of you enjoyed the book (some of you even read it the day it came out, wow!).

I appreciate the reviews on Amazon and elsewhere, and I’ve been touched by how many people have written or messaged me on Twitter to say they’re enjoying the series. And also to ask when the next one is coming out (slave drivers, hah!).

Thank you, too, if you’ve mentioned my books to friends on Twitter or Facebook, or in email, or even face-to-face (I’ve heard people still talk that way sometimes). Authors can do their best to market and be “out there,” but, in the end, you guys have all the power when it comes to taking an author from a nobody to someone who gets to write for a living (and continue putting out books for years, even decades, to come).

For those who are curious about numbers, Deadly Games sold 500-odd copies in the first week and a half, which is enough to cover the costs of cover art design, editing, and formatting (those costs added up to about $1,300 total — yes, there are some costs associated with being an indie author, but, as you can see, you make enough per book that you don’t have to be a bestseller to break even, and everything after that buys the hot dogs and Ramen noodles to keep you going while you write the next adventure. ;)).

And for the next book…

As I mentioned, some folks have already asked about Book 4. I’ve been working on the next Flash Gold story this month, but I finished the rough draft to that last night and put pen to paper (yes, a real pen and a real sheet of paper) to start working on the first scene in EE4 (no title yet). I’ll be busy writing the rough draft over the next three months or so.

As for the next POV character (a popular question), I believe it’s going to be Akstyr. I did have Maldynado in mind, but I left Akstyr in a bit of a bind (he was plotting against you-know-who, after all). Will he let that certain scheme die now that Basilard’s no longer on board? Or will he start plotting something of his own? We shall see. 😉

Next stories out?

Look for Flash Gold 3 in January or February (it’s over 35,000 words, so it’ll take me longer to edit than the previous novellas), and then I have an EE short story that I wrote a few weeks ago, so that’ll probably pop up around the same time. It’ll be free or 99 cents, or maybe both. Free on my site and 99 cents in the stores, perhaps? We’ll see how much I have to spend on cover art. 😉

I won’t set a date yet for EE4, since I’m just getting started, but I am trying to publish those novels about six months apart, so that’s the goal!

Again, thanks for reading, everyone.

Posted in My Ebooks | Tagged , , , | 27 Comments

So, You Want a Book Blogger to Review Your Ebook…

Today’s guest poster isn’t an author; she’s a book blogger. Misty Rayburn is someone who encouraged me when I was getting started. She was very friendly on Facebook and invited me to participate in some ebook giveaways. She’s since branched out from Facebook and posts reviews over at The Top Shelf.

Misty’s here today to offer some tips on getting book bloggers to review your book. She’s also hosting a giveaway: Loramendi’s Story by Angela Carlie. If you’d like to enter to win a copy, please leave a comment at the bottom of this post.

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Lindsay graciously invited me to her blog to share some tips that would be helpful for authors regarding book reviewers!  I really must thank her for being here and I hope these tips help you.

First and foremost, be friendly! I like to join author pages or even personal pages of the authors I’m doing reviews for.  When you email a reviewer, make sure to include Facebook page / Fan page or twitter.  It tells me that this is going to be more than a “You throw your book at me and I spit out  a review” situation.

Be sure to include your book’s synopsis in your email.  I don’t know how many times I’ve had to email someone back and say “Can you tell me a bit more about your book?”

Check out the blog of the blogger.  Some blogs are very genre specific and some aren’t.  Don’t limit yourselves to blogs that just fit your genre either.  Branch out a bit!

DON’T be afraid of book bloggers that review erotica! The genre may not be your cup of tea, but that doesn’t mean their audience isn’t open to other material.   The Top Shelf reviews erotica as well as everything else under the sun.  Why?  Because I like variety!

When you’re enquiring about the status of a review, don’t just outright be like “Have you read my book yet!” Or “When will my review be up?”  That’s a tentative thing.  A blogger can tell you around what month and we can try to stick to it but we don’t get to read all the time for one reason or another.  We wouldn’t just shove off your book for any reason that wasn’t serious!

Offering to do something else with the blogger is a great way to integrate yourself more and touch base with fans.  When you’re doing a request, offer to do an interview or a guest blog.  Maybe even a giveaway.

The last and most important tip I can think of is, promote whenever you’re being posted somewhere else.  You’ve given the reviewer a book and they’ve reviewed it for you.  They’ve accepted you on their blog for an interview or an event of some kind.  The least you can do is drive attention to it.  It’s not only good for you but for them too!

I want to thank Lindsay once again for having me over here.  I really hope these tips help you out.  If you have any questions, please comment!  I’ll answer them!  Be sure to check out my blog at http://www.the-top-shelf.com!

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Thanks, Misty!

And, guys, don’t forget to comment if you’re interested in a copy of Loramendi’s Story.

Posted in Guest Posts | Tagged , | 13 Comments

Best Way to a Traditional Publishing Deal: Query Agents or Self-Publish?

Every couple of weeks a reader asks me why I chose to self-publish. I don’t mind the question because (I think) it implies that said reader believes my stories are good enough that I could have gotten a traditional publishing deal (if that’s not the implication, please don’t tell me, as I prefer my nice delusions). I’ve written about the reasons I’m glad I self-published before, so I won’t go into that today, but I thought I’d chime in on one of the arguments going around the blogosphere.

Is it still worth querying agents, or is self-publishing a better way to a traditional deal?

If you haven’t been paying attention to the world of self-publishing lately, you may not be aware of the number of indie authors who are being picked up by publishers. Granted, it’s a small number when compared to all the indie authors out there, but it’s something that wasn’t happening at all before the e-publishing revolution of the last couple of years. Now, nobody in the industry is surprised when indie authors get picked up, some with quite lucrative publishing deals.

Many of these successful indie authors are people who once tried the traditional route to publishing (querying agents or submitting manuscripts to the slush piles of publishers). The agents and publishers weren’t interested. Then.

It’s a different story when the same author starts selling thousands of ebooks a month in the Kindle store.

If you’re an up-and-coming writer, and you’re hoping to land a traditional deal, is it still worth it to query or should you start publishing on your own, build a platform, sell books, and wait until you have something to brag about before approaching an agent?

I doubt there’s a right or wrong answer here, but here’s my take:

If you skip querying and all the associated dithering around, you get to jump right into the realities of the business. It’s not an easy business, and there’s a lot of on-the-job-training required. You’ll have to bust your butt if you want to succeed as an indie, especially now that there’s more competition in the e-bookstores.

But if you can make it as an indie (build a platform, sell books, gain a readership), you’ll have the confidence and bargaining power to get a traditional deal that doesn’t suck.

That, from all I’ve read and heard, is not something that happens much with new authors signing on with a publishing house for the first time.

To sum things up…

If you decide to forgo the agent hunt, you’ll skip:

  •  Tedious research into finding an agent that represents what you write
  • Wasting time stalking selected agents on Twitter and following their blogs to see what they want
  • Wasting time crafting a synopsis
  • Wasting time writing multiple versions of a query letter
  • Wasting time emailing and waiting for replies
  • Wasting time doing things that make you look good for an agent but do zilch for you financially speaking (i.e. entering contests in hopes of winning some pretty writing award)

Instead you’ll be:

  • Publishing your book and potentially making money on Day 1
  • Learning the business of writing (people who write for a living have long since learned they have to be entrepreneurs, not just artists)
  • Learning how to market yourself (you’ll probably have to do this sooner or later, even if you get a traditional deal)
  • Building a platform (blog, mailing list, social media presence)
  • Acquiring fans
  • Writing the next novel (money’s nice, but what’s really motivating is when people email you and ask when the next book is coming out), a novel that can come out in months instead of years

If you choose self-publishing first over querying, you’ll also find out, much sooner than later, whether your book is “good enough” for the big time. Agents may or may not tell you that. As many traditionally published authors have admitted, agents and publishers aren’t really gatekeepers or holier-than-thou entities that determine what’s worth reading and what isn’t. They’re business people, and they base selections on the potential for a pay off. Subpar manuscripts get picked up because they fit into what’s popular right now. Excellent manuscripts get passed on because they aren’t in a popular niche.

At the end of a year of self-publishing, you will know if your book is “good enough.” Assuming you’ve put enough effort into marketing to sell some copies, you’ll know if there’s an audience for your work or if you need to put more time into honing your craft.

If you’re doing well, you’ll have a far greater resume with which to wow an agent. Think about it: If you were an agent or publisher, would you rather take a chance on an unknown or on someone who’s already laid the foundations for a successful career as a novelist?

Of course, once you’ve done all that work, and you’ve reached a modicum of success (as I’ve blogged about before, the numbers say you can make a living a lot sooner as an indie), you may realize that you’re not all that interested in a traditional deal any more. 😉

Posted in E-publishing | Tagged , , , , | 22 Comments

Goodreads Fantasy Book Discussion, Anyone?

Lots of people (okay, one… *waves*) have asked if there’s a reader discussion forum where people can discuss my books with other fantasy fans. My answer was… I’d guess not. It’s been less than a year since I published my first book, and I’m not exactly a New York Times Bestseller. 😉

But I’ve met some very cool readers through this blog, emails, Twitter, and Facebook, and it would be fun to connect folks somehow. I figure anyone who laughs at my characters’ jokes is a rare person and might want to chat with other odd ducks readers with excellent taste.

I’m not ready to take on a big website overhaul and add a forum here, but I decided to start a fantasy discussion group on Goodreads. Technically it’s my author Q&A group, but you guys can chat about anything you want as far as I’m concerned.

If you’re not already a Goodreads member, I definitely recommend signing up, because it’s a cool site for readers.

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