Republic Teaser: Chapter 1, Part 1

For those who have wondering about the progress of Republic (the next novel with Amaranthe, Sicarius, and the rest of the Emperor’s Edge gang), I’m doing my final edits now and hope to send it off to my editor at the end of next week. the novel is now out! 🙂

You can pick it up at Amazon, Barnes & Noble, Kobo, iTunes, and Smashwords.

Here’s a preview of the first chapter:

Republic: Chapter 1, Part 1

Amaranthe sprinted down the narrow, muddy trail, leaping past snarls of mossy roots and ducking leaves so large they felt like wrecking balls when they smashed against her face. The shouts behind her had dwindled, and she wondered if she might have outrun her pursuers.

A stone-tipped spear blurred past her ear, almost depriving her of a chunk of hair—and scalp. Ah, there was that pursuit.

The weapon slammed into the trail in front of her. It landed at an angle, and she almost impaled herself on the butt of it. Fortunately, a year of training with Sicarius hadn’t been undone by a couple of months of vacation, and she twisted to evade the obstacle at the same time as she ducked under a branch thoughtlessly growing across the path at eye level. She did bump into a bush before finding her way back onto the trail, and thin branches shuddered, raining droplets of water onto her head. Monkeys howled in the treetops, either irritated by her disturbance or entertained by her plight.

Amaranthe eyed the foliage to either side of her. Getting off this main route and finding another way to the beach might be wise, but the lush jungle grew denser than soldiers in a Turgonian infantry unit. And some of those spiky vines were just as dangerous. If she had thought to bring her sword, she might have cut a path, but she had gone to that village to trade, not to start a war.

She plowed onward, sticking to her trail and hoping to reach the lagoon before her pursuers caught up. She thought about hollering for Sicarius, but it was his presence on the island that had gotten her into this predicament. If he started slitting throats…

As Amaranthe leaped over another mossy log, something snatched her about the waist, yanking her into the foliage. She kept from yelping in surprise, but barely. And only because she had a hunch as to her captor’s identity.

Yes, the blond hairs on the muscular arm wrapped around her waist were familiar. As usual, Sicarius put action above words and hauled her several dozen meters into the jungle before pausing to discuss anything. He had a sword, of course, and used it to cut canes and vines, though he had a knack for weaving through the dense undergrowth as if he were simply pushing aside silk curtains. Having a woman—a woman who was more than ready to start using her own feet again—tucked against his side didn’t slow him at all.

Finally, he stopped, crouching in the hollow of a giant red tree that was broader than some of the shopfronts in Ink Alley back home. Amaranthe wriggled free, noting for the first time that he was carrying his black dagger clenched in his teeth, because he was—

“You’re naked,” she whispered. As much as she usually appreciated the view of those lean powerful muscles, it seemed foolish to run through the jungle without protection. She already had numerous gashes from those razor ferns. And the spiky vines? She would hate to have anything important punctured by them.

Sicarius removed the dagger. “I was fishing.” Despite the shouts of the male villagers racing past on the trail they had just left, his tone was as dry and unconcerned as ever. The dampness of his short blond hair attested to how recently he had left the water. “You assured me that you would find no trouble in the village.” His eyebrow twitched.

“And I wouldn’t have, but—”

Foliage rattled in the direction of the trail, and a clunk sounded, an axe sheering away a branch. Sicarius peered around the tree, lifting a hand for silence. The villagers must have realized Amaranthe had left the path.

She dug into her pocket and pulled out a crinkled piece of parchment, deciding it could do the talking for her. The yellowed sheet held a portrait of a face. The black ink had faded to dull gray over the years, but it was still possible to make out the familiar features. A younger and harder—at least to Amaranthe’s eyes—version of Sicarius without the recently obtained knot of scar tissue at his temple. She didn’t recognize the language of the lines written below the portrait, but she knew a wanted poster when she saw one.

Sicarius knew it too. What he thought of it, she couldn’t tell. Even though they had been friends for over a year and lovers for the last couple of months, she still struggled to read his angular face, one he’d learned to craft into an emotionless mask from his earliest childhood. When he did show emotion, it seemed a conscious effort, as if he was trying to please her by doing so, but when other things were on his mind, he grew as hard to decipher as a granite slab.

“Is there a way we can get back to the beach?” Amaranthe whispered.

“Yes, but there are men on it.”

“Men with spears?”

“Yes.” Sicarius gazed into her eyes, waiting, she sensed, to see what she wanted to do. He had been an assassin all of his life and still tended to think in terms of eliminating people as answers to problems, though he’d gradually grown willing to accept less violent solutions if she could propose feasible ones. Or unfeasible ones that she could finesse—or manhandle—into working, regardless.

“Lead us as close as we can get without being seen,” Amaranthe said, aware that the rustling of leaves and hacking of branches was drawing nearer. “Then we’ll… think of something creative.”

The other eyebrow twitched, his silent version of, “Oh, really? This should prove interesting, challenging, and crazy all at once.”

She smiled.

Without a word, Sicarius led off toward… hm, was the beach in that direction? Amaranthe didn’t think so, but he must want to throw off their trackers. This time, he let her walk, though he did glance back often to keep an eye on her, or maybe to ensure she wasn’t leaving a riotous trail of footprints for their pursuers to follow. How he could walk over the same ground without leaving a trace, she would never know, but she did her best to emulate him, stepping on rocks and roots whenever possible, hard items that wouldn’t hold a print. Nonetheless, he slipped behind her a few times to scatter dead palm or fern fronds over her inadvertent smudges in the mud. She kept from rolling her eyes at this overzealous tidying, especially since the sounds of their pursuers had grown more distant, though she did huff in exasperation when, without warning, he jumped several feet, caught a vine one-handed, and whisked himself into the canopy.

“I need a running start for that,” Amaranthe whispered, waving behind her, “and that’ll leave a long streak of footprints and broken branches.”

She stood on a boulder, the same one from which he had launched himself, and eyed the distance to the vine. It hung three or four feet above her and out several more feet, with some of those spiky ferns waiting below if she jumped and missed.

Sicarius gazed down impassively from a branch. Deciding whether she was whining or if she spoke the truth? Amaranthe propped a fist on her hip. He knew her physical abilities better than anyone else, even herself.

Sicarius bent and pulled the vine to the side, as far from his position as he could, then let it go. What was that supposed to do to help?

A distinct call came from the jungle a hundred meters back. The language was gibberish to her ear, but she guessed it to be the villager equivalent of, “They went this way!” Either way, it reminded Amaranthe of her predicament—if she didn’t follow Sicarius quickly, or if she allowed herself to be trapped, he would stop playing Hide and Sneak and start dispatching people.

“Amaranthe, now,” Sicarius whispered and pointed to the vine.

It was swaying back and forth like a pendulum. Oh, so that was his idea of help. Now, if she timed it precisely, she only had to jump eight feet instead of ten. Lovely.

She crept to the edge of the rock and waited until…

“Now,” he ordered.

Amaranthe jumped. The vine swung to its peak and started to fall backward. Cursed ancestors, she was going to miss it. She lunged out with one arm and caught it with the tips of her fingers. She closed those fingers like a vise. When gravity caught up with her, it jolted her shoulder, but she didn’t let go. She swung her other hand to the vine and climbed the twenty feet to join him.

“Hm,” Sicarius said, then rounded the trunk of the tree and headed out onto a thick limb on the far side.

Up here, the branches crisscrossed each other like a latticework—an agile squirrel might run for a mile without touching the ground. Oh, she realized. They were going to do that too.

“What do you mean, hm?” Amaranthe whispered, using her hands on the upper branches to help with her balance as she skipped along the narrow perches. “My performance didn’t even rate an ‘adequate’? Because you had to help with the vine?”

“Our lives have been indolent of late,” Sicarius observed.

Amaranthe grimaced. That hm had been a rating, a dubious rating, of her performance. “We’ve been on vacation, remember? And how much exercise can one get in a tiny submarine? Aside from certain bedroom activities, which I thought were actually quite vigorous and challenging in a cardiovascular way, surely as good for training as jogging around the lake.”

Sicarius kept skating through the treetops without so much as a backward glance. She thought she had gotten past trying to impress him at these physical challenges, but she found herself disappointed. Maybe she shouldn’t have balked. Maybe she could have made it if she’d had her original momentum. Maybe she shouldn’t have acted as if some sharp plants were the equivalent of phalanxes of upturned spears. Maybe—

Sicarius stopped to wait on a thick branch, with his sword arm wrapped around a moss-carpeted trunk. The canopy, thick and green above and below, hid them from the ground. As he watched her approach, his expression didn’t seem disappointed. In fact, was that the faintest hint of a smile?

“You’re teasing me.” Amaranthe swatted him on the chest.

“Yes.” He flipped his dagger so his forearm sheltered her from the blade, pulled her close, and kissed her. Not a long kiss, but there was certainly a promise of later in it before he drew back.

“Dear ancestors, Sicarius,” Amaranthe said, breathless from more than the exercise, “has being chased through the treetops by aborigines always been the key to putting you in an amorous mood? Or was it my talk of cardiovascular challenges that roused your passion?”

His dark eyes glinted. “Yes.”

She thought about kissing him again—surely they could spare another minute or two—but he pointed at something on the other side of the trunk. “We’ve arrived at the beach.”

They had? Amazing how disoriented one could become while running across branches. She would think more highly of squirrels when next she visited a climate that had them.

Using Sicarius to brace herself against—his chiseled flesh made a more appealing handhold than a mossy tree—Amaranthe leaned around the trunk for a look. And barely kept herself from groaning. No less than ten bare-chested, brown-skinned men stood at the lagoon’s edge with knives and spears in hand. Out in the water, two outrigger canoes carrying more spear wielders floated on either side of the oblong black hull of the submarine.

“You’ve formulated a plan?” Sicarius asked.

“Well, I would have, but you distracted me with that kiss. Now I’m going to need another minute.”

She smiled at Sicarius, but his face had lost its humor. A distant shout drifted up from the jungle floor. Their pursuers might have fallen farther behind, but they were still coming.

Movement overhead distracted Amaranthe. She lurched backward and might have fallen off the branch if not for Sicarius’s grip about her waist. A large green snake with black spots was slithering down the mossy trunk toward them.

“Uhm,” she blurted, pointing.

“It’s not poisonous,” Sicarius said, though he hadn’t looked up. Doubtlessly, he had noticed it when they first jumped into the tree. “It feeds on fish, birds, and small mammals.”

“Yes, but it’s big. And I…” Amaranthe tried to tell herself that there was no reason to worry if he wasn’t worried, but she couldn’t help but think of the last time she had dealt with a large snake. She had been naked and wounded, having escaped that awful alien ship and the more awful torture-loving Pike, and that cursed snake had wanted to eat her. She hated anything that reminded her of that time. “I’d prefer not to share a tree with it,” she whispered. “Mind if I borrow your knife?”

Sicarius tilted his head back, considering the snake. It did, she admitted, look like it might slither past without bothering them. “I can see your reason for alarm. It is similar to the green marshal, a snake also indigenous to these islands and one that is poisonous.”

Yeah. That was why she wanted it out of her tree.

Afraid the real reason would make her seem weak, Amaranthe braced herself to let the creature slither off the trunk and out onto one of the branches. She forced herself to return to the problem. Finding a way past those men without causing a massive throat-slitting. She needed a clever idea. Such as setting a fire in their village to draw them all back? The times she or her team had used arson before, it had never turned out well, usually causing far more damage than she had intended. How could she justify doing that to these people, especially when their interest in Sicarius seemed more about ridding their home of an assassin before he could hurt them, rather than collecting a bounty? What did these aborigines care about money, and to whom would they turn in a head, regardless?

“They are after you because they saw me,” Sicarius said.

Amaranthe didn’t know if it was a statement or a question, but she nodded slightly. “A scout ran in while I was trying to explain to the old medicine woman what it was I wanted to trade for. He raced into the chief’s hut and came out waving that poster and pointing at me and at the beach. I’m not quite sure how all those chaps got here ahead of me…” she tilted her head toward the lagoon, “but they did.”

“It is my responsibility then. I will distract them so you can swim to the submarine.”

Amaranthe shook her head as he spoke, but he kept talking.

“You can take it out beyond the lagoon. If you come up again on the other side of those rocks—” he pointed to a promontory jutting into the ocean at the end of the beach, “—I will attempt to join you. After nightfall, I might—”

Amaranthe hushed him with a finger to his lips. All those months they’d worked together, trying to save his son, she had never dared such an intimacy. She was pleased to see it worked, though his eyebrow was in danger of twitching to express indignation.

“If you try to distract them without simply… dispatching them, you might get yourself killed,” she said.

His chin rose. “We have not been that indolent.”

“Forgive me, you might get yourself injured, and, as you know from first-hand experience, I’m not the most skilled medic. We’re all alone out here, with a lot of days of travel to get to a civilized port. We’re still in a bind from our last mishap.” The pirates who had presumed to steal from them wouldn’t do so again—Sicarius’s justice remained harsher than she would prefer, but she’d had a hand in sending their ship to the bottom of the ocean, so who was she to judge? But either way, she and Sicarius had lost half of their provisions overboard.

“They are simple hunters. Those spears were designed for slaying boars, not men. I can deal with them without killing them or being injured.”

“What are you going to do? Call out to them from the wilds and tie them up one at a time as they come to hunt for you?”

“Precisely. It will be dark in an hour as well. A better time to hunt.”

“They know every inch of this island,” Amaranthe said.

“They don’t know me.”

“Oh? I’m sure that poster had some choice words to say about you in whatever language that is.”

Something disturbed a flock of birds in a tree twenty meters away. Colorful wings batted and a dozen tanagers flew inland.

“There isn’t time for further debate.” Sicarius pressed the sword into her hand, keeping his black dagger for himself. “I will distract them. You will take the sub out of the harbor.”

“Fine, fine.” Amaranthe stepped onto a neighboring branch for a better look at the rock promontory. “Where do you want me to wait while you’re distracting people?”

She didn’t receive an answer. He was gone.

~

The second half of Chapter 1 is now up!

Posted in Cut Scenes and Fun Extras | Tagged , , , | 14 Comments

Writing Faster: Breaking the 10,000-Word-Day Barrier and Composing a Rough Draft in 2 Weeks

About a year ago, I read Rachel Aaron’s 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love. It was basically what I already knew (it’s worth the read, but the gist is to plan out what you’re going to write ahead of time, make sure you’re enthusiastic about what you’re writing, and track your hourly/daily results to figure out how you can make the best use of your time). But I wasn’t writing 10,000 words a day — apparently knowing and doing aren’t quite the same thing.

Now, for those of you who might be new here, I’m not exactly a slow writer. I’ve published ten novels and a number of novellas and short stories in the three and a half years I’ve been seriously writing and publishing. That said, I do often feel like I should get more done per day, given that this has been the full-time job for the last two years. I have improved. When I first started writing seriously, my goal was 1,000 words a day, then I bumped it up to 2,000 when I went full time. I was closer to 3,000 by the time I read Aaron’s book and after it, I had some 5K days.

Not horrible, but I knew there was, quite honestly, a lot of inefficiency and screwing around during my work days. This is because when I actually timed myself for 30 minutes of distraction-free writing, I saw that I could often get down 1000 words in a half hour. Couple that with the fact that I saw authors on the Kboards talking about their book-a-month publishing schedule, and the guys on the Self Publishing Podcast talking about the bazillion words a year they were writing. Feelings of inadequacy may have come up…

If I were putting in a solid eight hours a day, and two or three thousand words was all I could manage, that would be one thing. Or if I was working countless hours a week at another job, taking care of a family, etc. and just couldn’t find the time to write more than a few hundred words a day, that would also be perfectly understandable. But as I’ve already stated, neither of those situations are the case for me. I don’t need to publish a book a month, but I do need to feel like I’m not slacking off during my work day. (And, let’s face it, like many authors, I always have a zillion projects I want to work on, so it would be nice to finish them more quickly so I can explore the second zillion ideas.)

So, I’ve been trying to improve my daily word count. And, as you might have guessed from the title, it happened in a big way this last couple of weeks, helping me reach some interesting landmarks. I thought I would talk about things a bit here (specifically, what changed with this particular manuscript), in case anyone else is struggling to reach that next level.

First off, here are the stats:

Manuscript: Balanced on the Blade’s Edge

Genre: Fantasy/steampunk romance

Word count (rough draft): Just shy of 75K

Date started: Thursday night, February 27th (after an eight hour drive back from Colorado, during which I plotted most of the novel).

Date finished: Thursday afternoon, March 13th, exactly two weeks later (I actually wrote 57K of the story in the first seven days and was out of town and didn’t write for three days in the second week, so that first week was the rockstar for me. There were three days where I broke 10,000 words. Prior to that, my record had been around 6500 words in a day.)

Quality of story: Only time will tell how it’s received (it’s a stand-alone and not related in any way to my other works, so it doesn’t have an audience waiting), but I don’t think the quality is any different for having been written quickly. If anything, I found it easier to stay in the flow and refreshing not to have to look back and re-read scenes from early on in the manuscript because I had forgotten things. My editing pass was very light before I sent it off to my beta readers.

So, what did I learn? What changed with this story to allow me to blow my old record writing days out of the water? A few things:

Simple story

I admit I’m not someone who writes super complicated prose with layers upon layers of subtlety in the plot, but I do usually have quite a bit going on in my stories. There’s almost always a mystery to solve on top of whatever other adventures are going on. In particular, I had recently finished the first and second drafts of a big 210K 6-POV story in my Emperor’s Edge world. Complicated!

This story… It’s simple. It’s a love story with some bad guys to fight off and a sword to find.

Back when I first read Aaron’s book, I remember thinking that if I wrote simple quests or romances, I would have an easier time writing more words in a day, and low and behold, it turned out to be true. This doesn’t mean I’m never going to add a mystery element again or have multiple storylines going on at once, but I will remember that more complicated stories take more time for me to work out.

Outline (that I actually stuck to)

These days, I always do an outline before I get started, but I don’t always stick with it (in fact, I usually deviate by the third or fourth chapter). It tends to be “good enough” for me if I figure out how the story ends before I get started. That said, I actually stuck pretty close to the outline in this one, maybe because it was a simple story, and there was less I had to figure out I went along.

One thing I also did was summarize individual scenes before I sat down to write them (I often did this the night before or while on the morning dog walk–yay for notepad apps on smart phones). Aaron and others recommend this, and I find it useful, though I generally only do it when I don’t have the scene already worked out in my head. In this case, I knew I was on a deadline (more in the next section), so I made sure to figure out the next two or three scenes ahead of time, so I could write more each day without having to pause for that.

Self-imposed deadline

Those who are waiting for the next EE book, the next Flash Gold, or the next Rust & Relics might note that this fantasy romance wasn’t mentioned anywhere on my site. That’s because the idea popped into my head while I was on vacation, less than three weeks ago. Unfortunately, it wasn’t set in one of my existing worlds, and it wasn’t something I planned to turn into a series, so I knew it wouldn’t be a big money-maker. My first thought was that I would put it down on my list and get to it (if I was still interested) when I had finished the five other novels I have in the queue. But then I thought… the beta readers have Republic and it’ll be a couple of weeks before I get their comments back, and I’ve been struggling to finish the Flash Gold novella… maybe I could do this if I knocked the rough draft out quickly…

I gave myself three weeks. It took two.

With traditional publishers, you get deadlines. When you’re self-publishing… you have to make your own. And you have to believe they’re serious. You’ve probably heard the axiom about how the length a task takes to finish stretches out to fill the time allotted for it. I’ve found that true with a lot of things in life. I think whether you’re trying to write more on your tenth novel or to finish your first one, a deadline can really help. I’m sure that’s why so many people finish their first novels during NaNoWriMo.

Note: to help achieve the deadlines, I recommend using a timer each day and not letting yourself get out of your chair or switch away from your writing program until the beeper goes off. There are all sorts of fancy programs out there, but I just type “set timer X min” into Google, and let that run in the background. For me, 30-60 minutes is the max I’ll stick in there without taking a break, stretching the legs, etc. a bit. On days where I want to get more words in, I’ll just string together more sessions like this.

A fun relationship to work with

Though I’m probably more known for blowing things up than for romance, I do often have a love story going on in my books. Relationships of all types are fun for me to write (hey, I’m a chick). For me, the best action is in the dialogue. Buut, because I usually think in terms of series, those relationships are often things that evolve slowly, and there might not be a lot of progress in a particular novel.

With this one, the hero and heroine were the first things to pop into my mind, and I knew it would be a love story right away. I also knew that they were going to start out in a situation where they were more enemies than allies. Making things work would be a challenge, and figuring out the how it could work would be fun to write. Long-time readers know I’m a sucker for those kinds of stories, where you’ve got two people who should be great friends or lovers but happened to be born on the opposite side of the tracks. (What can I say? The Fox and the Hound was my favorite movie as a young kid.)

So basically, I was enthusiastic about the characters and their challenges from the beginning because this happened to be one of my favorite types of stories. I seem to remember writing Encrypted (another story where the romance is at the core and there are a lot of reasons the heroine shouldn’t have anything to do with the hero) fairly quickly, too, at least by my standards at the time.

This doesn’t mean that this is the only type of story I’ll ever write again, but it’s worth remembering how much I enjoy having a relationship like that at the core of the action. Don’t worry guys, it won’t always be a love story. I realized that of all the projects in my queue, the one I’m most looking forward to is the Yanko trilogy (first prequel novella here if you haven’t checked them out), which will have kind of a surrogate father-son relationship to figure out, again with characters from enemy nations.

Ultimately this ties in with Aaron’s point that you need enthusiasm in order for the writing to come easily. As someone with a number of books out now, there’s a tendency to think… oh, I have to write something different, or everything will start to sound the same. But it’s important to write the types of stories that excite you too. I’m sure there’s a nice middle ground in there somewhere!

That’s probably enough analysis on this topic for the moment. If you have any questions or comments on how you’ve improved your daily word count, I would love to hear about it in the comments.

June 1, 2014 update: Balanced on the Blade’s Edge has been out for over two months, selling well, and has quite a few enthusiastic reviews. I ended up writing a sequel that I just published.

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My Experience Advertising My Ebook on Twitter

Every now and then Twitter sends me an email to let me know about their advertising options. I ignored these for a while because the original site they directed me to didn’t seem very intuitive (I have the patience of a gnat, and if I can’t grasp something like this in a few seconds, I wander away). They’ve made some changes though. Last week when I clicked and logged in with my Twitter account, I found everything laid out quite simply. So I decided, what the heck? I always love the idea of pimping my books via advertising (if it proves effective) because I’m at the point where time is more valuable than money, and that’s the least time-intensive way to promote a book.

Here’s the Twitter Ads homepage if you want to take a look.

A wizard walked me through writing a tweet (or choosing an existing one to plug) and allowed me to choose who to display the ad to by keywords. (There was one for “science fiction & fantasy”.) I had the option to find more possibly interested people by choosing to also show ads to followers of certain handles on Twitter. For instance, if you think your books would appeal to @NeilGaiman fans, you could display your ads to his legions of followers.

You can also choose where in the world you want your tweets to be displayed. I opted for the United States for this experiment, since I was going to send people to my book’s U.S. Amazon page.

Once you’ve chosen who you want your tweet-ad displayed to, you’re ready to plug in some money. You can decide how much you want to spend overall, how much you want to spend per day, and how many days you want your campaign to run. You can also choose whether you want to get new followers or for people to follow a link.

My goal was to get people to click on my link (which led to the Amazon sales page for the first Emperor’s Edge book, a free download). Here’s what it looked like:

Like heroic fantasy? Quirky heroines? Deadly assassins? Try the first Emperor’s Edge novel for free: http://www.amazon.com/The-Emperors-Edge-ebook/dp/B004H1TDB0/ (Twitter automatically shortened that to a t.co link to fit.)

Twitter charges you based on “engagements.” They won’t charge you to display the ad, but they’ll charge when it’s clicked on, retweeted, responded to, or when you’re followed.

My results

Since I was only dabbling, I  set this up for one tweet (normally with advertising, you would want to split test — create multiple tweets to see which performs best). I spent $100 over two days, bid $1.50 per engagement (the minimum they suggested, though they said I would usually pay less), had 181 engagements (158 clicks, 17 retweets, 1 reply, and 5 follows), and paid an average of 55 cents per engagement. I have no way of knowing with the clicks, but a lot of the retweets and the reply came from my own followers, people who would have done those things anyway, so I was a little meh at being charged for that.

According to Twitter (I got a lot of emails about my campaign for the couple of days it was running, and even after that), I had a higher than average engagement percentage (1.67%). That’s good, since I didn’t spend much time tinkering and trying to come up with scintillating copy. I’m sure it would be tougher if you were trying to sell a book instead of giving away something for free.

Did I get more than the average number of free downloads from Amazon on those days? I would guess I might have gotten about 50 extra over the two days, so it wasn’t very significant. (By comparison, spending a couple hundred on a Bookbub ad, if you can get accepted, would be good for thousands of downloads — even the $1 I paid the Fussy Librarian to plug the also free Flash Gold recently resulted in at least 100 extra downloads.)

In the end, I don’t mind that I spent the money to experiment, but I probably wouldn’t do this type of campaign again. I did, however, like the set-up and targeting and detailed dashboard, so I could see using Twitter advertising for something else. (I should also note that if I had taken the time to set up a real landing page that had links to all of the places my freebie could be downloaded, I might have had better results, since not everybody shops at Amazon or has a kindle/kindle app.

Have you tried advertising on Twitter? How did it go for you?

 

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3 Amazon Tips for New Authors (and maybe old ones too)

A Twitter conversation prompted me to share a few basic Amazon tips for those who e-publish directly through their KDP dashboard and may not have realized there’s such a thing as “Author Central.”

1. Use Author Central to improve blurb formatting

The KDP dashboard lets you upload your ebook, choose categories, and write descriptions, but the description field is on the anemic side. You can fill in your basic blurb here, but then head over to Author Central, add your book, and edit the book description there if you want to use italics, bold text, or bullet-point lists.

You can also add reviews and “from the author” messages. These descriptions tend to be updated quickly and will override the ones you entered via the self-publishing dashboard.

2. Link editions of your books/ebooks/audiobooks

Sometimes Amazon figures out how to link an ebook and a CreateSpace paperback on its own, but sometimes you have to tell them. If you don’t, the different formats get listed separately and the reviews don’t carry over.

This can also be done through Author Central by contacting the support team. Here’s the information on how to do it.

3. Make an Amazon author page

When you click on your name on your book’s sales page, you will either go to an author page or a list of search results using your name. The latter isn’t particularly user friendly and might not show all your books (or might show some of other people’s books in the results). Again by using Author Central, you can create an author page that includes all of your titles, a bio, pictures, and your blog and Twitter feeds (I get quite a bit of traffic to my site from people who click on the blog post titles on my Amazon page).

Head to the profile section in Author Central to fill in your information.

Are there any other tips you would like to add? Please share them in the comments section below. Thanks!

Posted in Writing | 11 Comments

Quick Update and What’s Coming Next

It’s been a while since the last blog post, and I’m sure you’re wondering, “What’s going on in Lindsay’s world?” You weren’t? Well, humor me anyway.

First off, Wounded is now available at iTunes which means you can get it just about everywhere (Amazon, Barnes & Noble, Kobo, Smashwords), if you’re game to try a modern mystery story. Thank you to everyone who has already grabbed a copy. Some people have asked if there will be more stories with the characters, and I probably will do a couple more at some point. As I’ll point out if I get around to writing my post on genre-hopping (it’s on the to-do list), it’s a lot easier to get something new off the ground if you have a series.

But next up, we have more fantasy.

I’m almost done with the first editing pass of Republic, the monster follow-up to the Forged in Blood novels. You knew the new government couldn’t get off the ground without a few snafus, right? And, even more obvious, Amaranthe and Sicarius couldn’t go on a tropical vacation without getting into trouble.

Last month, I was debating whether to split Republic into two books, but I’ve decided there’s not really a good breaking point, so I’m going to leave it as one. It’s currently sitting at 212,000 words (just over twice the length of the first Emperor’s Edge book). Why so big? We’ve got six point-of-view characters in this one (Amaranthe, Sicarius, Tikaya, Mahliki, Sespian, and Maldynado), and there’s a lot going on. With all of those POV characters, this is a departure from the usual format, but I hope fans of the series will enjoy spending time in these guys’ heads.

I’m not sure on the release date for Republic yet, but it should be early spring. It will take my beta readers a while to plow through this beast, and while they’re working on that, I’m going to be finishing the fourth Flash Gold novella. I started on it last summer, but got distracted by all of my other projects. I’ve been invited to a steampunk convention in Tucson in a couple of weeks, though, so I thought I should write a little more actual steampunk! It would be nice to finish it up and have it ready to go by then, but I don’t know if that will happen, because I have a ski vacation coming up next week (bad author, slacker author, I know!). I’ll try though.

After FG4 and Republic, I’ll be working on the second Rust & Relics book as well as the first novel in Yanko’s series (if you haven’t checked out the prequel novellas yet, they’re available everywhere now too). For those who have already read the novellas, the first one in particular, you’ll get to find out who “Dak” is in Republic.

That’s about it for writing updates. For those who are authors or who are interested in that side of the business, I was interviewed on the Self Publishing Podcast last week. Check it out if you need something to listen to during your commute.

Any thoughts? Questions? Let me know! 🙂

Posted in Ebook News | Tagged , , | 18 Comments

Ebook Pricing: What You Think Your Book Is Worth vs. The Point at Which It Will Make the Most Money

In the indie author world, there are few topics as hotly debated as that of ebook pricing. You don’t have to spend long on a self-publishing forum to hear all sorts of advice:

  • Don’t price too low or it shows you don’t value your work — if you don’t value your work, how can you expect anyone else to?
  • Don’t price too high because people won’t spend that much on an unknown author.
  • 99 cents is dead — don’t bother with 99 cents because you only get a 35% royalty.
  • Never ever price your ebook at $1.99 — it’s the Bermuda Triangle of pricing!
  • Price the first book in your series for free to draw in readers who might end up liking the book and buying the rest in the series.
  • For crying out loud, don’t give anything away for free — people just download free books and never read them, and if they do read them, they’ll probably give you a crappy rating.

So… confused yet?

Long-time followers of my blog (or people who look me up on Amazon), will see that I take a middle-of-the-road approach. I have the first ebook in my Emperor’s Edge series permanently free, and most of the rest of the novels in the series are $4.95 (I do have Book 2 at $2.99 at the moment, which may or may not stay that way). For short stories, I either go with free or 99 cents (if it’s free it’s because it’s something I posted on my blog for free first, such as my recent holiday story, which was a thank you to readers). For novellas and short novels, I’ll price somewhere in between (these days, I try to write things that are long enough that I feel justified pricing them at $2.99, for the 70% royalty, or I’ll put the shorter things together in a collection).

Does that mean you should do the same thing? Nope. You should either do what makes you content (allowing that you might be leaving money on the table, because you’re pricing based on your own opinions rather than experimentation) or you should experiment to see what earns you the most money per month.

That last bit sounds kind of obvious, doesn’t it? Yet a lot of authors balk at the idea of trying different prices and seeing what the market says. They price based on their own hunches and prejudices.

They think, “Oh, I wouldn’t value a 99-cent book, so I’m sure others won’t either.” Or maybe they think, “I put XXX hours into writing and preparing this novel, and there’s no way I’m selling it for less than $X.XX.” Or perhaps it’s, “Nobody’s heard of me, and I doubt they’re going to pay much for an unknown author, so I’m going with 99 cents.” The argument I’ve seen most often and which is, quite frankly, one of the more short-sighted ones, is: “If I don’t sell my book for at least such-and-such, I’m not going to have a chance of making minimum wage for the work I put into it.”

I want to address the last argument, because I see variations of it so often. First off, before we jump into numbers, I want to point out that very few authors make any significant money on their first book — nobody owes us minimum wage or any other amount of cash. This whole process is like building a business, and for most of us the income grows over time as we get more books out, especially when we’re talking about e-publishing, where titles can remain out there and can continue to sell indefinitely.

The second thing I want to point out is that the price of the book is only half of the earnings equation. The other half is how many copies you sell.

Price * Units Sold = Total Earnings.

We’ll keep it simple and not worry about royalties and what the store makes vs. what you make. My point is that it’s possible to become a millionaire on a 99-cent title, just as it’s possible to make absolutely nothing. You may make more money selling your books at less than your ideal price (i.e. what you feel the book is worth). That’s just how it is.

But anyway, let’s talk numbers and kick around a couple of scenarios (AKA how do we get to minimum wage, anyway?). Let’s say you go bargain basement and make your first novel 99 cents. Because it’s at the 35% royalty, you’re only making about 35 cents on each sale. Let’s say you bust your bum on marketing and sell 100 copies in your first month. That earns you… $35. Yeah, cringe, right? Not even close to minimum wage. If you keep that up for the whole year, you get $420. Still not that impressive. Latte money, maybe.

But — and here’s where so many people get tripped up — you really have to consider earnings over the life of a book, not over a month or even a year. Over ten years, that title could bring in $4,200 if nothing else changes. There’s always the possibility that it will start selling better as you get more titles out and gain more of a following as an author, but let’s assume it stays the same.

$4,200 in ten years still isn’t that impressive (and it’s why I’m not a big proponent of the 99-cent novel unless it’s part of a sale or on-going strategy to get readers into a series). Let’s say you had priced that novel at $2.99 instead. It would earn (at a 70% royalty) $2.05 a sale. Maybe you’re only able to sell 50 copies a month, instead of 100, because of the higher price point. That brings your earnings up to $102.50 per month and $1,230 a year. A little better. At $5 it gets better still, though you may or may not sell as well at the higher price point. This is where the experimenting comes in. Try a month with it at one price, and then try a month with it at another price.

Some authors actually sell better (more books) when they raise their prices, though most of us find it easier to move more copies as the price lowers. If we want to maximize our monthly income, we have to play around and find the point of diminishing returns. I want to emphasize again that for those of us who can take emotion and pride out of the equation, the focus should be on monthly income and not on the price of the book at all.

*This is the point where I admit that I might be leaving money on the table because I don’t experiment all that much. I’ve sold them for less, but I’ve never tried selling my ebooks for more than $5. Remember up above where I said some people prefer to do what makes them content, even if it’s possible they’re not making as much as they could? That’s me. I’m comfortable with what I make, and I like the idea of keeping my ebooks a good value for readers. I’m not sharing my earnings with an agent or publisher, so this just seems fair to me. But if you’re not content right now, and you want to be earning more… I urge experimentation.

The more books, the more potential you have to earn

Here’s another one that seems obvious but which again gets overlooked, especially by those who bring the “But I want to at least make minimum wage” mindset to the table. Remember that $1,230 a year we’re earning from our $2.99 ebook that’s selling 50 copies a month? Let’s jump forward to the point where we have 10 novels, some novellas, and a few short stories out (that’s me right now, after three years of self-publishing). If all of your novels are selling 50 copies a month at $2.99 (for the record, I’m a mid-list author at best, and my worst selling novels sell quite a bit better than that), you’re now making $12,300 a year from your novels and probably a couple of thousand extra from your shorter works. So, yay, we’ve reached minimum wage.

That’s a pretty conservative estimate of what you could make with that much work out. If, in the process of publishing these novels, you’re able to gain some true fans, the types of people who tell their friends about your work, you might find that 50 sales a month per novel is very beatable (with a little spent on advertising here and there, my EE novels are still selling 300+ a month, though I’ve completed the series and moved on to other things).

You might also find that you have a break-out novel or two in the bunch. A couple of years ago, JA Konrath published his stats for his $140,000-month and we saw that a handful of his 40+ titles were responsible for the majority of his income. I talked about the Pareto Principle in that article, also known as the 80-20 rule. In our cases, it may very well end up that 20% of our work results in 80% of our income. My distribution isn’t quite so lopsided, but my EE series does account for the majority of my earnings. Back when I built websites and wrote content for a living, two of my 10-15 sites brought in the majority of my income. This kind of distribution happens all over the place. For most of us, the only way to have those breakout books is to publish a lot of books. It’s very hard to predict what will become a winner, but the more titles you have out there, the better your odds.

But I’ve drifted off topic a bit here. It never hurts to point out that for the majority of authors it’s going to take a lot of novels to build a full-time income, but my ultimate message here is to try and maximize your overall monthly income rather than getting hung up on the price of a particular book. Try free. Try 99 cents. Try 2.99. Heck, try 7.99 or 9.99 if you want. Experiment. Keep track of what works, and if you find that you make the most money pricing your ebooks at $0.99 or $4.32, then by all means, do so.

 

Posted in E-publishing | Tagged , , , | 20 Comments

Book Blog Tours That Accept Self-Published Authors

A book blog tour is when you “appear” on a number of blogs over a week or two (some authors go bananas and schedule a different blog each day for a month) to promote your book. This usually involves being interviewed or writing a guest post for the site. Some blog owners will also read and review your book.

You can arrange tours yourself and hand-pick the blogs, keeping in mind that some people won’t respond or be interested in hosting you, or you can pay someone else to arrange things for you. Prices vary, as do the quality of the blogs that participate (naturally, you want to appear on established sites with a solid readership).

It’s been a while since I did a book blog tour (almost three years), but I may check into them again this summer, since I’m working on some new series. As I recall, the two or three tours I did weren’t all that useful insofar as selling books, but they did result in me getting some much needed reviews back in the days when I didn’t have any readers yet. Several of the hosts reviewed my book on their own sites and also posted the reviews on Amazon and Goodreads.

I’m fairly certain most bloggers and tour operators don’t guarantee reviews, but it’s natural that some of the bloggers will be curious about the authors they host and might check out your book of their own accord (you can also include a free copy with your post or interview).

In case you’re interested in trying out a book blog tour for yourself, I’m posting a list of some of the tours that accept indie/self-published authors and that aren’t hugely expensive (thanks, Elise, for putting the list together for us!):

Book Blog Tours

Bewitching Book Tours

Genres: paranormal, urban fantasy, and paranormal erotica

Cost: $40-$175

Notes: Geared towards the new author, the ebook author, the small and independent press author, and the mid-list author. Also for the author who doesn’t have a huge marketing budget but wants the most bang for their promotional buck.

Enchanted Book Promotions

Genres: accepts all genres (though geared towards scifi, romance, fantasy)

Cost: $29-$249

Fire and Ice Book Tours

Genres: most genres accepted

Cost: $35 – $90

Notes: Not accepting new sign ups at lower package rates.

Worldwind Virtual Book Tours

Genres: accepts all genres (though geared towards scifi, romance, fantasy)

Cost: $110-$340

Notes: Price includes $50 Amazon card giveaway

Pump Up Your Book! Virtual Book Publicity Tours

Genres: all genres

Cost: $299 and up

Notes: Clients have some national media placements; website is difficult to navigate

Jitterbug PR

Genres: Many

Cost: $55 – $180

Notes: Not exceptional website graphics or quality of writing on blog. Also a PR, marketing and publicity company.

Xpresso Book Tours

Genres: focuses on Young Adult & New Adult tours in all genres of both pre-release and post-release books

Cost: $150 – $250

Notes: Professional easy-to-navigate site.

Read Between the Lines Blog Tours

Genres: specializes in fantasy

Cost: $25 – $100

If you have any comments on these outfits or want to suggest any other book blog tour sites, please let us know below.

Posted in Advertising, Blogging | Tagged , , , , , | 29 Comments

Ebooks, Word Count, and Marketing the Stand-Alone Novel (or should one book become two?)

I’ve always preferred to read and write novel-length fiction, but the ebook has brought back the short story, the novella, and the serial (among other things), story formats that were never that practical outside of magazines (and even then, it had been a while since you saw many novellas and serials). Space was always a consideration, with certain page counts being more feasible (financially speaking) than others.

With ebooks, it doesn’t cost any more to deliver a 200,000-word epic novel than it does a 10,000-word short story. Oh, sure, editing will be pricier on the bigger tale, assuming you hire outside eyes for that task, but that’s a one-time cost. Authors now have the ability to write in whatever story format they prefer and even get creative with how novels are crafted and delivered.

And more than writing preferences may come into play. As independent authors, we’re responsible for our own marketing and for figuring out the best ways to satisfy the reader and make a fair wage from our work (a living wage, if we’re lucky).

For example, the single novel can be a hard sell. My experience with multi-book formats suggests it’s easier to market and sell a series because you can play around with free or 99-cent “loss leaders” while leaving later tomes at full price. Right now, there are a lot of venues that like to advertise bargain books, which works perfectly for those of us with a series and an inexpensive Book 1.

If all you have is a single novel, you can put it on sale and try to gain traction with advertising, but even if a reader enjoys it, there’s nowhere to go from there. Oh, you might have other unrelated ebooks out, but jumping to a new world and/or new characters isn’t, for most readers, as automatic as buying the second book in a series.

So, what do you do with that single stand-alone novel? If the stars align right and the tides are favorable (AKA if it’s a big enough book), should it perhaps become two?

This is what I’m mulling over with my current project (working title: Republic). For those who have followed along with my Emperor’s Edge novels, this idea might sound familiar. Last summer, the sixth and final book in my six-book series turned into Forged in Blood I & Forged in Blood II (making it a seven book series, I suppose). Even being broken apart, those books were as long or longer than the rest of the novels in the series, so I thought it made sense.

Now I’m working on a transition novel that can either provide more closure for the EE series or work as a launching point into a new series (we’ll see how the reception is). From the beginning, I had only envisioned it as one book, but at the same time, I knew it was going to be a big one, because it has six point-of-view characters. I guessed it would be around 150,000 words when I got started. Well, I’m at 160,000 now and I have the big end battle yet to write, along with a long (and I hope fun) epilogue that I’ve had in mind from the beginning. I’m beginning to think Republic will be 200,000 words by the time I’m done.

For comparison, a new fantasy novelist is encouraged to submit novels between 80,000-100,000 words to agents. The first Emperor’s Edge book is around 105,000 words.

There’s this thing about epic fantasy though… it likes to be big. I’m not sure what the word counts are on those Jordan or Martin books, but they call them Chihuahua killers for a reason (fortunately with ebooks, you don’t need to worry about dropping super thick tomes on small dogs). Many fantasy readers enjoy these big meaty books, so I’m hoping I won’t get too many complaints about length. (People might not dig the new storyline or the departure from two POV characters to six, but that’s a different concern.)

So, what’s the problem?

There’s not really, aside from the fact that I’ll be spending a lot more time on a novel I can’t necessarily charge a lot more for, but I am wondering if turning this into two books might offer some opportunities from a marketing perspective. I never bother advertising Books 2-7 in the EE series, because I assume nobody’s going to jump into the middle without having read the first book. That means EE1 has been through BookBub and many of the other big sites that offer sponsorships multiple times already. In short, it’s old news.

With Republic, even though it has most of the characters from the EE series (along with Tikaya and Rias from the Encrypted/Decrypted books), it’s a spot where someone new might be able to jump in without being lost. Or at least not so lost that they couldn’t enjoy the story (maybe new readers would even want to later pick up the earlier books to catch up and get all the inside jokes).

I’m already planning to do something completely different with the cover art (illustrated), so it’ll feel like the start of something new. And I think the blurb might sound appealing to those who specifically seek out epic fantasy (I’ve never described my stuff as epic fantasy, but with the political emphasis in this one and the multiple story lines, it feels closer to it than many of my others). Also, the first chapter, which people might download as a sample, starts off with Amaranthe and Sicarius getting out of a little trouble on a tropical island before being called back home by the president, is on the fun and entertaining side, and I could see it drawing new folks in.

But, if I keep this as one big book, I’m not going to be particularly interested in bargain pricing it (hey, this puppy represents a lot of hours!), so I wouldn’t be able to advertise it on the big book sites, and I don’t know how many new people would try it at full price. (Since I usually price based on word count, I expect I would go around $6.95 for the ebook on this one.)

If I turn it into a duology, I can have more room to play around with pricing. I can essentially charge the same amount but make the first book less expensive, maybe $2.99 for the first part and $3.99 for the second, with a launch/sale price of 99-cent sales on the first. The downside is I would doubtlessly get new readers who didn’t like part 1 enough to buy part 2, but those are people who probably wouldn’t have plunked down $7 for an ebook from an author they hadn’t tried anyway. As far as regular readers, they might find the lower prices more appealing as well. Even if it’s technically the same $7 either way, folks are used to paying $5 from me, not $7, so that might be a bit of a balk. This way they could pick up the first part now and grab the second later. Like FiB1 & 2, it would end up feeling more like two books rather than one big expensive book.

At this point, I’m just tossing ideas around. I haven’t finished the novel, and I haven’t gone back to see if/where there might be a logical breaking point if I were to divide it. If you, as a reader or author, have an opinion on all this mulling, I would love to hear it.

Posted in E-publishing | Tagged , , , , , | 72 Comments